Fans of Westerns will enjoy this unusual, if flawed, contribution to the genre.
In Barry’s debut novel, a billionaire playboy trades a luxurious but ultimately meaningless life for one filled with adventure when a scandal tarnishes his reputation.
In 1931, Jamison Jackson Logan III is the president of a prestigious New York City law firm, Logan, Marshall & Partners; he has $1 billion in the bank and has just been named Bachelor of the Year by Indigo-Rouge Magazine. But at a banquet to receive the Firm of the Year Award from Law and Standards magazine, he finds out that his partner embezzled nearly $20 million. In the wake of the scandal, he flees to Paris, but it’s not far enough to escape. While returning to New York on an ocean liner, he decides to fake his death when there’s a minor collision with a fishing trawler. He then begins a Travels with Charley–esque adventure, traveling west in a van with a stray Airedale named Tag. In Tempe, Arizona, engine trouble lands him at a small outfitter store owned by Doc Boone and his daughter, Glory. With nowhere else to be, he decides to stick around and enjoy the scenery—and perhaps woo Doc’s enchanting daughter. Then a skull is found in the desert with a bullet-sized hole in it. Logan embraces his new identity as “Jack McCall” and helps track down the bandits responsible. Although Logan begins his hero’s journey as a Jay Gatsby–like playboy, Barry quickly transforms him into a Steinbeck-ian wanderer. This is, at its heart, an original Western, sunbaked and full of rattlesnakes, and the author truly does the vanishing genre justice. That said, the overall narrative is weakened by some frankly odd choices, including the inclusion of unnecessary clip art; Tag’s inner monologue, appearing only in one passage, wondering, “What is the purpose of my life?”; and intermittent dialogue indicators that are reminiscent of a play script: “Doc: ‘Excuse my sassy daughter fer her frankness, Son. Glory, that was rude and uncalled for.’ ” A stronger edit might have corrected such formatting irregularities and allowed readers to focus more on the solid storytelling and complex characters.
Fans of Westerns will enjoy this unusual, if flawed, contribution to the genre.Pub Date: Aug. 1, 2016
ISBN: 978-1-4809-1170-3
Page Count: 350
Publisher: Dorrance Publishing Co.
Review Posted Online: Sept. 21, 2017
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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