A historically astute, if sometimes-lethargic, dramatization of wartime.

THE WEAK AND THE STRONG

A fictional memoir chronicles an American bombardier’s experiences in World War II.

Nathan Bedford Forrest “Sully” Sullivan was raised in a modest cottage in Virginia, on a plantation once owned by his great-grandfather, Wilcox Timor Sullivan, who fought as a Confederate in the Civil War. But although he descends from slave owners, Sully’s best friends growing up were two young African-Americans whose families had worked on his land. After graduating high school in 1936, Sully attends the University of Virginia, does a stint as an exchange student in Paris, and aspires to be a novelist. As war brews in Europe, Sully—who considers himself a pacifist—stays at home to pursue his writing; he’s called in by the draft board but is rejected, due to his flat feet. After the attack on Pearl Harbor in December 1941, he has a change of heart and volunteers for the Army Air Corps, is accepted, and becomes a bombardier. Sully flies many dangerous missions, earns a Distinguished Flying Cross, and then gets shot down while on a bombing mission over Schweinfurt. His injuries are grave and one of his legs is partially amputated. Members of the French Resistance rescue him, and he eventually becomes an officer in the Office of Strategic Services. He proves an effective spy, participating in the bombing of a train and the assassination of an SS general. Author Harden (Bombing, 2010) writes with great confidence and undeniable expertise; indeed, the novel’s principal strength is its historical authenticity. Also, the prose can be elegantly philosophical at times: “I drew a distinction between mental depression and abject resignation. Depression was nebulous and without readily identifiable cause. Abject resignation has a clearly tangible cause—imminent death.” However, the book is far too long and prone to gratuitous digression; for example, one anticlimactic subplot involving a health scare doesn’t advance any of the book’s primary themes and feels unnecessary. As a result, although there’s no shortage of drama, the pace can seem lumbering at times.

A historically astute, if sometimes-lethargic, dramatization of wartime.

Pub Date: N/A

ISBN: N/A

Page Count: 424

Publisher: CreateSpace

Review Posted Online: Sept. 11, 2017

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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