A thought-provoking, intelligent reconceptualization of supernatural events.

THE SUPER NATURAL

A NEW VISION OF THE UNEXPLAINED

A religious historian and a popular fiction writer and mystic collaborate to adopt unexplained phenomena into the realm of natural occurrences.

Best known for his graphic depictions of alien abductions and otherworldly encounters (his own included), Strieber (Solving the Communion Enigma: What Is to Come, 2012, etc.) pairs up with Kripal (Religion/Rice Univ.; Comparing Religions, 2014, etc.) to produce a cohesive reframing of the “pantheon of the unknown” through the lens of the natural world. To accomplish their “apocalypse of thought,” both authors worked in tandem, intertwining their unique perspectives, experiences, and educational backgrounds. They explore Strieber’s legacy, the development of alien folklore, and the logical debate on how the American government’s skepticism and secrecy surrounding UFOs only propagates their mythological potential. Kripal’s broad religious comparisons and his intellectualization of unknown phenomena from a spiritual perspective complement Strieber’s menacing laundry list of what haunts him most, from his many sinister encounters with nonhuman entities to a medically mystifying, nonremovable ear implant, a beautiful ghostly temptress, and gargantuan pulsating spiders hovering above his bed. Appealing to his already established readership, these unsettling anecdotes indeed make this a Strieber book, but Kripal’s religious assessment of sex and gender is similarly provocative. Lucid and convincing, the writers’ volleying hypothetical interpretations of how “to embrace science in a new way” implore that it’s not necessary to believe in the supernatural in order to study it and to comprehend its validity or its possibilities or impossibilities, yet much work remains to elevate it beyond perpetual public mockery. Though Kripal implores that “we are all embedded in a much larger, fiercely alive and richly conscious reality,” perhaps the best counsel for dogmatic debunkers can be found in the book’s appendix, which kindly suggests that everyone patiently “learn to live with paradox, to sit with the question.”

A thought-provoking, intelligent reconceptualization of supernatural events.

Pub Date: Feb. 2, 2016

ISBN: 978-1-101-98232-7

Page Count: 384

Publisher: TarcherPerigee

Review Posted Online: Nov. 4, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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A very welcome instance of philosophy that can help readers live a good life.

THE ART OF SOLITUDE

A teacher and scholar of Buddhism offers a formally varied account of the available rewards of solitude.

“As Mother Ayahuasca takes me in her arms, I realize that last night I vomited up my attachment to Buddhism. In passing out, I died. In coming to, I was, so to speak, reborn. I no longer have to fight these battles, I repeat to myself. I am no longer a combatant in the dharma wars. It feels as if the course of my life has shifted onto another vector, like a train shunted off its familiar track onto a new trajectory.” Readers of Batchelor’s previous books (Secular Buddhism: Imagining the Dharma in an Uncertain World, 2017, etc.) will recognize in this passage the culmination of his decadeslong shift away from the religious commitments of Buddhism toward an ecumenical and homegrown philosophy of life. Writing in a variety of modes—memoir, history, collage, essay, biography, and meditation instruction—the author doesn’t argue for his approach to solitude as much as offer it for contemplation. Essentially, Batchelor implies that if you read what Buddha said here and what Montaigne said there, and if you consider something the author has noticed, and if you reflect on your own experience, you have the possibility to improve the quality of your life. For introspective readers, it’s easy to hear in this approach a direct response to Pascal’s claim that “all of humanity's problems stem from man's inability to sit quietly in a room alone.” Batchelor wants to relieve us of this inability by offering his example of how to do just that. “Solitude is an art. Mental training is needed to refine and stabilize it,” he writes. “When you practice solitude, you dedicate yourself to the care of the soul.” Whatever a soul is, the author goes a long way toward soothing it.

A very welcome instance of philosophy that can help readers live a good life.

Pub Date: Feb. 18, 2020

ISBN: 978-0-300-25093-0

Page Count: 200

Publisher: Yale Univ.

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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An erudite and artful, though frustratingly restrained, look at Old Testament stories.

THE BOOK OF GENESIS ILLUSTRATED

The Book of Genesis as imagined by a veteran voice of underground comics.

R. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesis—drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)—and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a “straight illustration job, with no intention to ridicule or make visual jokes.” But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarely—as with the destruction of Sodom and Gomorrah—does Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author’s respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb’s immense talents as a draftsman and stubborn adherence to the script.

An erudite and artful, though frustratingly restrained, look at Old Testament stories.

Pub Date: Oct. 19, 2009

ISBN: 978-0-393-06102-4

Page Count: 224

Publisher: Norton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2009

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