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SIGNIFICANT OTHERS

CREATIVITY AND INTIMATE PARTNERSHIP

Essentially gossip—in spite of the trendy title—in these 13 essays by various authors on the influence that sexually paired writers or artists have on each other. Chadwick also examined the issue of gender and creativity in Women, Art, and Society (1990) with the same superficial and fragmented results. How to reconcile the solitude that creativity requires with the love that artists crave? In these pieces, creativity becomes incidental. Instead, there are tales of monumental disorder, power struggles, madness and suicide, emotional chaos, and intense and often deviant political and sexual lives—all giving the clear message that creative people inflict immense damage on those who dare to love them. Marriage is rare, and adultery and sexual experimentation commonplace. Vanessa Bell and Duncan Grant (Lisa Tickner), Virginia Woolf and Vita Sackville-West (Louise de Salvo), and Anaãs Nin and Henry Miller (Noel Riley Fitch) are the most familiar couples. Chadwick offers one successful pairing in Sonia Delaunay and her husband, Robert, a painter whose theory of simultaneity Sonia translated into fashion design. And there's a mutually enriching collaboration in the secret pairing of Jasper Johns and Robert Rauschenberg (Jonathan Katz). Most pairings, however, display predictable inequities: Camille Claudel driven mad by Rodin (Anne Higonnet); Clara Malraux silenced by AndrÇ (de Courtivron); and the literal possession of Jackson Pollock's life by his wife, Lee Krasner (Anne Wagner), the major informant for his biographers. And however romanticized and sanitized, Frida Kahlo and Diego Rivera (Hayden Herrera) and Lillian Hellman and Dashiell Hammett (Bernard Benstock) still appear savage, disturbed, self- destructive, and power-hungry. A collection that raises questions not so much about pairing or even creativity, but rather about how people living such chaotic lives function at all—and about why those who enjoy their art should care about their sexual logistics.

Pub Date: June 1, 1993

ISBN: 0-500-01566-X

Page Count: 256

Publisher: Thames & Hudson

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1993

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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