A classic story of outsiders making friends—with a little something more.

LONG DISTANCE

After moving to a new city, a girl attends a wilderness camp to help her make new friends.

When astronomy-obsessed 9-year-old Vega’s dad Wes gets a new job, the family moves from Portland to Seattle. Vega is not happy about this change and doesn’t want to leave her best friend behind, worrying they will grow apart. Vega’s dad Javi thinks making new friends will help her adjust, so he signs her up for Camp Very Best Friend, which is designed to help introverted local children build new friendships. Vega is not exactly eager to go but makes a deal with Wes, agreeing to try out camp as long as he tries to make a new friend too. It quickly becomes clear that this is no ordinary outdoor adventure, and Vega and her fellow campers try to figure out what is really going on. The story smoothly incorporates STEM facts with insets on the page to define and highlight terms or tools. An unexpected twist toward the end of this fast-paced adventure that reveals the truth behind the camp will surprise readers. The clean, bright artwork is enhanced by panels of varying shapes and clear, easy-to-follow speech bubbles. Race, ethnicity, and sexual orientation are not explicitly addressed; characters’ names and physical appearances indicate a broadly diverse cast starting with brown-skinned Vega and her two dads.

A classic story of outsiders making friends—with a little something more. (Graphic fiction. 8-10)

Pub Date: June 29, 2021

ISBN: 978-1-5344-5566-5

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: April 30, 2021

Kirkus Reviews Issue: May 15, 2021

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Series fans will enjoy revisiting familiar characters and exploring the island of Cuba with them.

THE MADRE DE AGUAS OF CUBA

From the Unicorn Rescue Society series , Vol. 5

The Unicorn Rescue Society investigates the disappearance of a Cuban sea serpent.

In the fifth series installment, returning protagonists Uchenna and Elliot are in school, learning about water, when Professor Fauna calls them away. As the kids board the professor’s rickety single-propeller plane, they learn where exactly they are heading: Cuba. The island is in the middle of a massive drought, and Professor Fauna has reason to believe that the Madres de aguas (the Mother of Waters) has gone missing. It’s up to the society to find the sea serpent before any more damage is done to the people and wildlife of Cuba. As they set out on their mission of derring-do, they realize that once again they are up against their nemeses, the Schmoke Brothers. Via Yoenis, their Cuban American society liaison, Uchenna, Elliot, and readers learn about the political and economic hardships experienced by the people of Cuba, the island’s lack of basic goods and necessities, and Cuba’s need for real democracy (although the current role of the military is elided). This is conveyed within a quick, fast-paced read that’s ideal for kids who want a straightforward magical adventure. Uchenna is Nigerian, Elliot is white and Jewish, and Professor Fauna is Peruvian.

Series fans will enjoy revisiting familiar characters and exploring the island of Cuba with them. (Fantasy. 8-10)

Pub Date: May 12, 2020

ISBN: 978-0-7352-3142-9

Page Count: 224

Publisher: Dutton

Review Posted Online: Feb. 26, 2020

Kirkus Reviews Issue: March 15, 2020

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The tweaks deliver no real alterations, but the clothing and hairstyles may amuse.

DAVID ROBERTS' DELIGHTFULLY DIFFERENT FAIRY TALES

Three classic fairy tales given 20th- (and 30th-) century settings.

Originally published separately between 2001 and 2016, the stories are massaged in ways that tone down the violence of pre-Disney versions and show off the illustrator’s chops as a caricaturist. In “Cinderella” (2001), the scenes are filled with flamboyant art deco fashions and details; the fairy godmother creates a snazzy limo to take young Greta to the ball; and rosebud-lipped, pointy-nosed evil stepsisters Ermintrude and Elvira survive unmutilated. Similarly, in “Rapunzel” (2003), the title character escapes her mid-1970s flat to run off with (unblinded) pop musician Roger, and in “Sleeping Beauty” (2016), when 16-year-old science-fiction fan Annabel pricks her finger on the needle of a record player, she falls asleep for 1,000 years. The three female leads project airs of independence but really have no more agency here than in the originals. The all-White casts and conventional relationships of the first two stories do loosen a bit in “Sleeping Beauty,” as Annabel, who seems White, is watched over by an interracial pair of motherly aunts and awakened at long last (albeit with a touch, not a kiss) by Zoe, who has light-brown skin and long, black hair. Notes following each tale draw attention to the period details, and even the futuristic city at the end has a retro look. (This book was reviewed digitally with 10.5-by-21-inch double-page spreads viewed at 70 % of actual size.)

The tweaks deliver no real alterations, but the clothing and hairstyles may amuse. (Fairy tales. 8-10)

Pub Date: Oct. 6, 2020

ISBN: 978-1-84365-475-9

Page Count: 90

Publisher: Pavilion Children's

Review Posted Online: July 28, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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