Julia's strong voice and multifaceted background offer an eye-catching glimpse of graffiti culture while introducing deaf...

YOU'RE WELCOME, UNIVERSE

A deaf, Indian-American teen with a flair for graffiti learns how to make her mark.

With two deaf moms, a deaf school, and Jordyn, her deaf best friend, Julia Prasad has always been unapologetically deaf. But when she paints graffiti over a slur about Jordyn and is expelled, she's thrust into the chaos of mainstream high school with a patronizing interpreter, clueless teachers, and persistent bullying. Spoken dialogue is broken by blank lines, representing the words she realistically can't lip-read. Graffiti, despite its illegality, is her only outlet besides art class. Julia's cynical wit is augmented by illustrations of her work, which reveals the parts of her personality that English and her rebellious exterior can't express. ASL signs emphasize her points. When she discovers that her work is being altered, she enters a risky graffiti war as she looks for the culprit. Meanwhile, she befriends "Yoga Pants," an overeager white girl, in spite of herself. Several red herrings later, the culprit forces her to evaluate the differences between art and vandalism and between listening and hearing. Eating disorders, racism, and homophobia are mentioned in passing. In scenes that smack of wish fulfillment, iconic street artist Banksy makes a cameo appearance.

Julia's strong voice and multifaceted background offer an eye-catching glimpse of graffiti culture while introducing deaf culture. (Fiction. 14-18)

Pub Date: March 7, 2017

ISBN: 978-0-399-55141-3

Page Count: 304

Publisher: Knopf

Review Posted Online: Nov. 16, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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This brutal, emotionally charged novel will grip readers and leave them brokenhearted

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THIS IS WHERE IT ENDS

A minute-by-minute account of mass murder at a high school by a former student.

Four students from a range of different backgrounds at Alabama's Opportunity High, all of whom have a history with Tyler, the gunman, take turns telling this harrowing story in the first person. They include his sister, Autumn, and her clandestine girlfriend, Sylv, who have only each other for solace as the home lives of both are in upheaval. Tomás, Sylv's brother, recounts his and his friend Fareed's desperate efforts to help from outside the school's auditorium, where their fellow students and teachers are locked in with Tyler as he picks them off one by one. Finally, Claire, Tyler's ex-girlfriend, realistically agonizes over what to do when she and a few others outside running track realize that the gunshots they hear are coming from inside the school. Grounded in the present, the story makes effective use of flashbacks that lay bare the pain and deception that have led up to the day's horror. The language can occasionally feel a bit melodramatic, with lines like "we're fighting for hope and a thousand tomorrows," but this is a minor side note to this compelling story of terror, betrayal, and heroism.

This brutal, emotionally charged novel will grip readers and leave them brokenhearted . (Fiction. 14-18)

Pub Date: Jan. 5, 2016

ISBN: 978-1-4926-2246-8

Page Count: 288

Publisher: Sourcebooks Fire

Review Posted Online: Oct. 6, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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A rare second volume that surpasses the first, with, happily, more intrigue and passion still to come.

THE WICKED KING

From the Folk of the Air series , Vol. 2

A heady blend of courtly double-crossing, Faerie lore, and toxic attraction swirls together in the sequel to The Cruel Prince (2018).

Five months after engineering a coup, human teen Jude is starting to feel the strain of secretly controlling King Cardan and running his Faerie kingdom. Jude’s self-loathing and anger at the traumatic events of her childhood (her Faerie “dad” killed her parents, and Faerie is not a particularly easy place even for the best-adjusted human) drive her ambition, which is tempered by her desire to make the world she loves and hates a little fairer. Much of the story revolves around plotting (the Queen of the Undersea wants the throne; Jude’s Faerie father wants power; Jude’s twin, Taryn, wants her Faerie betrothed by her side), but the underlying tension—sexual and political—between Jude and Cardan also takes some unexpected twists. Black’s writing is both contemporary and classic; her world is, at this point, intensely well-realized, so that some plot twists seem almost inevitable. Faerie is a strange place where immortal, multihued, multiformed denizens can’t lie but can twist everything; Jude—who can lie—is an outlier, and her first-person, present-tense narration reveals more than she would choose. With curly dark brown hair, Jude and Taryn are never identified by race in human terms.

A rare second volume that surpasses the first, with, happily, more intrigue and passion still to come. (map) (Fantasy. 14-adult)

Pub Date: Jan. 8, 2019

ISBN: 978-0-316-31035-2

Page Count: 336

Publisher: Little, Brown

Review Posted Online: Sept. 30, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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