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YOU'RE WELCOME, UNIVERSE

Julia's strong voice and multifaceted background offer an eye-catching glimpse of graffiti culture while introducing deaf...

A deaf, Indian-American teen with a flair for graffiti learns how to make her mark.

With two deaf moms, a deaf school, and Jordyn, her deaf best friend, Julia Prasad has always been unapologetically deaf. But when she paints graffiti over a slur about Jordyn and is expelled, she's thrust into the chaos of mainstream high school with a patronizing interpreter, clueless teachers, and persistent bullying. Spoken dialogue is broken by blank lines, representing the words she realistically can't lip-read. Graffiti, despite its illegality, is her only outlet besides art class. Julia's cynical wit is augmented by illustrations of her work, which reveals the parts of her personality that English and her rebellious exterior can't express. ASL signs emphasize her points. When she discovers that her work is being altered, she enters a risky graffiti war as she looks for the culprit. Meanwhile, she befriends "Yoga Pants," an overeager white girl, in spite of herself. Several red herrings later, the culprit forces her to evaluate the differences between art and vandalism and between listening and hearing. Eating disorders, racism, and homophobia are mentioned in passing. In scenes that smack of wish fulfillment, iconic street artist Banksy makes a cameo appearance.

Julia's strong voice and multifaceted background offer an eye-catching glimpse of graffiti culture while introducing deaf culture. (Fiction. 14-18)

Pub Date: March 7, 2017

ISBN: 978-0-399-55141-3

Page Count: 304

Publisher: Knopf

Review Posted Online: Nov. 15, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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THE WAY I USED TO BE

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.

Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

Pub Date: March 22, 2016

ISBN: 978-1-4814-4935-9

Page Count: 384

Publisher: McElderry

Review Posted Online: Dec. 15, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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