Witty in the classic Goldberg mold, but most of this is common-sense stuff that can be found in a variety of popular...

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IF SOMEONE SAYS "YOU COMPLETE ME," RUN!

WHOOPI'S BIG BOOK OF RELATIONSHIPS

Goldberg (Whoopi Goldberg Book, 1997, etc.) offers unvarnished advice on relationships.

Based on her years of experience in a variety of relationships, the author, currently the moderator of The View, suggests ideas on interpersonal bonds that she wishes someone had suggested to her years ago. Her hope is that readers won't make the same mistakes she did or have to learn the hard way why a relationship is not working. Her manner is frank and mostly funny, and Goldberg rarely holds back. Popular culture, she writes, consistently portrays an unrealistic picture of what a "normal" bond between two people should be, which sets up everyone for major disappointment. That sweet Cinderella dream of Prince Charming sweeping you off your feet to a life of happily ever after—it's not going to happen. No one can complete you, writes Goldberg, if you're not already solid and complete in yourself. The author offers advice for those stuck in dead-end situations, for those who just want no-strings-attached sex (as well as what to do when the sex has stopped but the relationship is worth saving), and for those whose partners have strayed into affairs or have been unfaithful all along. Through occasionally profane humor, Goldberg reminds readers that you can't change the person you're with and should never get into a relationship thinking that you can, that you should be aware of any red flags before you say “I do,” that the kids always come first, and that any major lies usually come back around in the end. Goldberg's writing will appeal to women the most, but her counsel is geared toward both genders, all races, and all sexual orientations. Though the author is honest and usually spot-on, the narrative isn’t much different from most standard self-help material.

Witty in the classic Goldberg mold, but most of this is common-sense stuff that can be found in a variety of popular magazines.

Pub Date: Oct. 13, 2015

ISBN: 978-0-316-30201-2

Page Count: 240

Publisher: Hachette

Review Posted Online: Sept. 22, 2015

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A LITTLE HISTORY OF POETRY

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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