A bizarrely soulful ride through New Orleans with corporate high jinks and some mystical, unseen forces adding to the...
An oil company lawyer moves home to New Orleans and finds that his fortuneteller mother has disappeared in Clarke’s (The Worthy, 2006, etc.) novel.
Duke Melançon grew up in New Orleans, at the corner of Magazine and Napoleon, in a fancy, inherited house that his wild Cajun family has practically destroyed. His father married a Russian fortuneteller, known as Madame Melançon, and they had seven sons and one girl. The youngest son, Duke, is a corporate lawyer in the External Affairs Department for oil giant Mandala Worldwide. During an accident on a rig in the Gulf of Mexico, 50 workers died, and oil is pouring into the Gulf. The company transfers Duke and his wife and kids to New Orleans to deal with the fallout, and Duke learns of a family crisis “when their witchy mother runs out into the hot, syrupy night, chasing a calico cat.” Madame Melançon doesn’t come home, and the family launches a search effort while Duke’s new home is invaded by a gaze of raccoons. As Duke’s wife and kids flee the craziness for Houston, Duke searches for answers about his mother from colorful locals, including a Kurt Vonnegut–like homeless guy and a shady villain. An elusive necklace of gold coins may hold the key to Madame’s location as Duke tries to stay afloat with his career and his marriage. Clarke’s riotous, amusing novel parallels real events, namely the Deepwater Horizon oil spill, which does help ground a story that moves toward a moderately supernatural conclusion. The Melançons’ stomping ground, the boisterous streets of New Orleans, is described in raucous and earthy details, a perpetual morning-after that juxtaposes inebriated tourists and battered locals. The family crisis is as pressing as the oil disaster. It’s all very entertaining but also raises consequential questions about whether money can solve a moral crisis.
A bizarrely soulful ride through New Orleans with corporate high jinks and some mystical, unseen forces adding to the experience.Pub Date: July 19, 2017
ISBN: 978-0-9726588-3-6
Page Count: 354
Publisher: Middle Finger Press
Review Posted Online: July 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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