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MASTER-PIECES

FLIP AND FLOP 10 GREAT WORKS OF ART

A visit to “any museum with portraits” would be time better spent.

Horizontally split pages encourage young appreciators of art to mix and match facial features of 10 classic portraits.

Printed on heavy stock and arranged in no apparent order, the paintings—and the one Japanese woodblock print—are all close-ups that are adjusted for size so that George Washington’s jaw will (more or less) fit the Mona Lisa’s nose beneath the brow of, say, Vincent Van Gogh or Frida Kahlo. Arcimboldo’s fruit-and-veggie Vertumnus, the Japanese actor Sawamura Sojuro III, and African-American entrepreneur Edna Powell Gayle add at least a bit of diversity to the exhibit’s subjects. Stylistically, though, there is a lack of strong visual contrast. Viewers who flip the parts back and forth are likely to be equally unexcited by Lach’s bland commentary opposite: “My cheeks are of apples, my nose is a pear” notes Vertumnus self-evidently. The gloss in Gayle’s voice is positively vapid: “I run a Chicago art gallery, and my elegant hairstyle is perfect for my job.” And, alas, so is Frida Kahlo’s: “I am an artist. My elaborate hairstyle shows my love of Mexico.” Along with further information about each work and its creator at the end, the author offers a few desperate ideas for activities, such as visiting the originals or “any museum with portraits.”

A visit to “any museum with portraits” would be time better spent. (Novelty. 7-10)

Pub Date: Oct. 11, 2016

ISBN: 978-0-7892-1274-0

Page Count: 28

Publisher: Abbeville Kids

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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THE SINGING ROCK & OTHER BRAND-NEW FAIRY TALES

Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...

The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.

Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”

Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)

Pub Date: June 18, 2019

ISBN: 978-1-59643-750-0

Page Count: 112

Publisher: First Second

Review Posted Online: April 27, 2019

Kirkus Reviews Issue: May 15, 2019

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CHARLIE BUMPERS VS. THE TEACHER OF THE YEAR

From the Charlie Bumpers series , Vol. 1

Readers will be waiting to see how Charlie faces his next challenge in a series that marks a lovely change of pace from the...

Charlie Bumpers is doomed. The one teacher he never wanted in the whole school turns out to be his fourth-grade teacher.

Charlie recalls third grade, when he accidentally hit the scariest teacher in the whole school with his sneaker. “I know all about you, Charlie Bumpers,” she says menacingly on the first day of fourth grade. Now, in addition to all the hardships of starting school, he has gotten off on the wrong foot with her. Charlie’s dry and dramatic narrative voice clearly reveals the inner life of a 9-year-old—the glass is always half empty, especially in light of a series of well-intentioned events gone awry. It’s quite a litany: “Hitting Mrs. Burke in the head with the sneaker. The messy desk. The swinging on the door. The toilet paper. And now this—the shoe on the roof.” Harley has teamed once again with illustrator Gustavson (Lost and Found, 2012) to create a real-life world in which a likable kid must face the everyday terrors of childhood: enormous bullies, looming teachers and thick gym coaches with huge pointing fingers. Into this series opener, Harley magically weaves the simple lesson that people, even teachers, can surprise you.

Readers will be waiting to see how Charlie faces his next challenge in a series that marks a lovely change of pace from the sarcasm of Wimpy Kid. (Fiction. 7-10)

Pub Date: Sept. 1, 2013

ISBN: 978-1-56145-732-8

Page Count: 160

Publisher: Peachtree

Review Posted Online: Aug. 13, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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