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Seeking Heaven's Gate in L.A.

Sometimes harrowing, this striking account of an African-American’s life in Los Angeles delivers powerful moments.

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In a debut book about growing up black in California in the 1970s, a teenager attempts to avoid violence despite racism and gang warfare.

Roger, the oldest of four children, lives in South Central Los Angeles. This autobiographical novel opens with the then-14-year-old chafing against his “Little Worshipers” classification at Pilgrim Missionary Baptist Church. Moms and Pops force him and his siblings to attend church every Sunday—even though he has encountered bullies there, as well as at school—but he eventually chooses to become a member and be baptized. At a time when Crips and Bloods are in the ascendant, church is presented as a positive influence that counterbalances violence. Roger recognizes that he is fortunate to grow up in a two-parent family. Still, life isn’t easy for a young black man. The volume dramatizes Roger’s struggles with racism through a presentation of his experiences at the several schools he attends as a teenager. First he and a friend try to prove they can survive at an all-white junior high 27 miles away, but “everybody looked at Ron and me like we were from Pluto,” even scattering watermelon seeds around their lockers. After being attacked by a mob of white teenagers wielding pipes, Roger finally transfers to a school within walking distance that’s friendlier to African-Americans. Here, though, Crips steal kids’ lunch money, and Roger falls in with a rough crowd and gets caught shoplifting. At his final school, blacks and Mexicans go head-to-head, and an unfortunate incident sees him arrested at age 17. Anderson’s dialogue is strong throughout this lively novel, as is the sense of internal conflict between Christianity and carnal desire: “I was willing to throw part of my faith out the church window for the sake of getting” sex, he recalls. In a series of black-and-white photos—labeled, textbooklike, “Figure 1” and so on—Anderson revisits his childhood haunts, another strategy, though perhaps a superfluous one, for bringing Roger’s story to life. The cliffhanger ending suggests that the author may be contemplating a sequel.

Sometimes harrowing, this striking account of an African-American’s life in Los Angeles delivers powerful moments.

Pub Date: May 25, 2013

ISBN: 978-1-4895-7042-0

Page Count: 352

Publisher: CreateSpace

Review Posted Online: Dec. 17, 2015

Kirkus Reviews Issue: Jan. 15, 2016

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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