A sympathetic, revealing portrait of young people caught up in the juvenile justice system, and a searing indictment of the society that has failed to nurture them. A former leader of the radical Weathermen in the '60s, Ayers (Teacher Lore: Learning from Our Own Experiences, not reviewed) has spent the '90s working with and observing young people and their teachers in the Chicago Juvenile Court. The largest such institution in the world, the court's original mission was to serve as ``a kind and just parent'' to those youths whose own parents were unable to properly care for them. Today it struggles to deal with hundreds of children and adolescents, predominantly African-American and Latino, many of them implicated in crimes, who have grown up in dysfunctional families in the grim public-housing projects of Chicago. That so many children end up in juvenile court is no surprise—as one judge, who on an average morning sees 30 cases, comments, ``No jobs, no future, no family—and then all they have is guns and gangs and drugs to sell.'' Ayers reminds us repeatedly of the statistical link between abuse, poverty, and the likelihood of arrest as a juvenile. What's particularly perturbing to the author is the media's depiction of these youths as ``superpredators'' who are responsible for the majority of crimes committed in society, while youth under 18 actually commit only 13 percent of all offenses. When Ayers allows the youths to speak for themselves, they emerge as vulnerable and likable, despite their often heinous crimes. Their teachers too are, for the most part, caring, talented professionals who believe in their students' potential to turn their lives around. But the likelihood that few will do so is deeply unsettling. Likely to challenge many of our preconceptions, this is a graceful and passionate vision of the criminal justice system. (For another look at Chicago's troubled youth, see LeAlan Jones and Lloyd Newman's Our America, p. 612.) (Author tour)
Pub Date: June 9, 1997
ISBN: 0-8070-4402-4
Page Count: 256
Publisher: Beacon Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
BOOK REVIEW
BOOK REVIEW
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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