Atmospheric novel about an older woman whose past career as a WWII spy has come back to haunt her.
Ruth Gilmartin is a single mother of one in 1976 England. On a visit to Grandma’s, Ruth’s mother, Sally, informs her that her real name is Eva Delectorskaya, and that she was an agent of British Intelligence during World War II. Eva hands Sally a manuscript of her story, abruptly launching the duo and the reader into the past. Boyd (Any Human Heart, 2003, etc.) seems more eager to tell Eva’s story than Ruth’s. Not surprisingly, as the elder Gilmartin finds herself swept into a world on the brink of war in 1939. Recruited by the swarthy and mysterious Lucas Romer, Eva is trained in spycraft and joins Romer’s team, specializing in disinformation. Propaganda is Eva’s stock in trade, and she has a knack for it. Still, for all her talent, she finds herself attracted to her secretive boss. Boyd has obviously read a few espionage novels. Can any young woman resist James Bond? Ruth leads a far less glamorous life. Saddled with Jochen, her inquisitive son, she teaches English as a Second Language. Her adventures occur vicariously, through the lives of the foreign students who study with her. With a nod to irony, Ruth teaches people to blend into their surroundings. At first, her mother’s revelation seems to be a sign of senility. As Ruth begins to investigate, the shadows of her mother’s former life reveal themselves. There is some truth to this work of fiction, and the real-life events make for a fascinating backdrop. Boyd skillfully manipulates language as easily as Eva does. He handles the plot more roughly. Ruth is clumsy albeit untrained, and the other characters in her world are rather thinly sketched. Yet Boyd fits the puzzle together neatly in the end.
A bit light on action and intrigue, but a cool, collected effort.Pub Date: Oct. 1, 2006
ISBN: 1-59691-236-7
Page Count: 352
Publisher: Bloomsbury
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 15, 2006
Categories: GENERAL FICTION | HISTORICAL FICTION
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An exuberant comic opera set to the music of life.
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The versatile and accomplished McBride (Five Carat Soul, 2017, etc.) returns with a dark urban farce crowded with misjudged signals, crippling sorrows, and unexpected epiphanies.
It's September 1969, just after Apollo 11 and Woodstock. In a season of such events, it’s just as improbable that in front of 16 witnesses occupying the crowded plaza of a Brooklyn housing project one afternoon, a hobbling, dyspeptic, and boozy old church deacon named Cuffy Jasper "Sportcoat" Lambkin should pull out a .45-caliber Luger pistol and shoot off an ear belonging to the neighborhood’s most dangerous drug dealer. The 19-year-old victim’s name is Deems Clemens, and Sportcoat had coached him to be “the best baseball player the projects had ever seen” before he became “a poison-selling murderous meathead.” Everybody in the project presumes that Sportcoat is now destined to violently join his late wife, Hettie, in the great beyond. But all kinds of seemingly disconnected people keep getting in destiny's way, whether it’s Sportcoat’s friend Pork Sausage or Potts, a world-weary but scrupulous White policeman who’s hoping to find Sportcoat fast enough to protect him from not only Deems’ vengeance, but the malevolent designs of neighborhood kingpin Butch Moon. All their destines are somehow intertwined with those of Thomas “The Elephant” Elefante, a powerful but lonely Mafia don who’s got one eye trained on the chaos set off by the shooting and another on a mysterious quest set in motion by a stranger from his crime-boss father’s past. There are also an assortment of salsa musicians, a gentle Nation of Islam convert named Soup, and even a tribe of voracious red ants that somehow immigrated to the neighborhood from Colombia and hung around for generations, all of which seems like too much stuff for any one book to handle. But as he's already shown in The Good Lord Bird (2013), McBride has a flair for fashioning comedy whose buoyant outrageousness barely conceals both a steely command of big and small narrative elements and a river-deep supply of humane intelligence.
An exuberant comic opera set to the music of life.Pub Date: March 3, 2020
ISBN: 978-0-7352-1672-3
Page Count: 384
Publisher: Riverhead
Review Posted Online: Dec. 9, 2019
Kirkus Reviews Issue: Jan. 1, 2020
Categories: LITERARY FICTION | HISTORICAL FICTION
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SEEN & HEARD
SEEN & HEARD
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
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An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2018
Kirkus Reviews Issue: Aug. 1, 2018
Categories: RELIGIOUS FICTION | HISTORICAL FICTION
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