THE PREDICAMENT

Travel writer Gabriel Dax, recruited by MI6, continent-hops from Guatemala to London to Berlin on agency business.

Introduced in Gabriel's Moon (2024), Dax has his hands full between his spying and his book-writing, which gives him a handy cover for his undercover work. In March 1963 he is sent to Guatemala to observe the charismatic “Padre Tiago,” an activist ex-priest who may become president. No sooner does Gabriel arrive than a coup breaks out; Padre Tiago is killed, as is his promise to nationalize the all-powerful United Fruit's plantations and return them to the workers. Dax returns to England, where he reignites the passionate (on his end) affair with Faith Green, his manipulative MI6 boss and “puppet-mistress.” She is a prime topic of his discussions with his shrink, Katerina Haas, who encourages him to be his “true self”—a concept with which this novel about people who aren't what they seem has a lot of fun. Then he's sent to Germany to work with a young female CIA agent in tracking Dean Furlan, a shady businessman he encountered in Guatemala; Furlan may have orchestrated two recent attempts to kill President Kennedy in the U.S. and is now in Berlin, a few weeks prior to JFK's state visit. The novel breezes along, with Gabriel making like James Bond, until an anticlimactic epilogue dated November 22, 1963, implies that events in Berlin explain what happened in Dallas. Few literary novelists are as comfortable with espionage tropes as Boyd, who uses the genre as a platform for another of his comically flawed, self-delusional protagonists. An undeveloped subplot involving a Russian triple agent seems likely to be picked up in the next Dax novel.

A thriller that's always in motion but, unlike its hero, always knows where it's going.