by William E. Holland ‧ RELEASE DATE: July 7, 1992
The KGB and the American Embassy form an uneasy alliance to find the men who murdered Moscow's CIA station chief—in a thriller by Holland (Let a Soldier Die, 1984) distinguished by starkly accurate depictions of Russian and Georgian backstreets. In the midst of early Gorbachev disorder, a team of masked thugs attacks a Moscow restaurant at the height of its evening business, wounds several of the patrons and staff, sets fire to the place, and departs leaving an unidentified corpse—a well-dressed Westerner who'd been enjoying dinner with a ravishingly beautiful woman, who disappeared in the uproar. Days later, the body is recognized to be that of Charles Hutchins, the American Embassy's top spy. What to do? The Americans don't want to admit that Hutchins came from the CIA, and the Soviets don't want to admit that they know who Hutchins was. Neither side has the slightest idea what Hutchins was doing in the expensive cooperative restaurant. Benjamin Martin, a visiting scholar who had come to like Hutchins a great deal suggests, joining the KGB in the search for the killers, and, to the surprise of all parties, the KGB accepts the idea. There is a flurry of activity, and within weeks there are arrests, but neither Martin nor Sergo Chanturia, Martin's opposite number from the KGB, believes that the men who have gone to jail are the real culprits. On his own, Martin follows up on the missing beauty, and Chanturia follows up on details of the murder contained in the depositions of the patrons. Martin finds love, and Chanturia, whose investigation takes him back to the Tblisi of his childhood, finds that he is rather more of a Georgian than the model Soviet spy he believed himself to be. Superb. The credible plot is firmly anchored in the reality of crumbling Soviet political life, the setting in the reality of crumbling Soviet streets. Not to be missed.
Pub Date: July 7, 1992
ISBN: 0-671-74643-X
Page Count: 320
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1992
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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