It leaves readers the freedom not only to appreciate the scope of his achievement, but to ponder the courage required to...
by William Emery & illustrated by Hanae Rivera ‧ RELEASE DATE: Sept. 1, 2012
A poetically written and illustrated recreation of the voyage of Kenichi Horie, the first (recorded) sailor to cross the Pacific solo.
“Kenichi the brave, Kenichi the adventurer, but first, Kenichi the little boy sat perched like a bird along Osaka harbor.” In strongly cadenced prose, Emery places the young mariner aboard a custom-built sailboat and sends him out for intense mid-ocean encounters with a typhoon, whales, sharks, jellyfish and a towering passenger ship before journey’s end beneath the Golden Gate Bridge. In Rivera’s artwork, Kenichi and his small boat float between tumultuous waves and skies, amid teeming masses of sea life—all depicted in long, flowing strokes of oil pastels. What prompted the dangerous voyage? The author offers only an oblique, evocative refrain in explanation: “The wind blows forever / across an ocean that never ends.” Lacking a closing note about that 1962 passage (or Horie’s several later ones) that would provide a historical anchor, this tribute seems intended to inspire rather than inform.
It leaves readers the freedom not only to appreciate the scope of his achievement, but to ponder the courage required to undertake all such private journeys. (Picture book. 8-10)Pub Date: Sept. 1, 2012
ISBN: 978-1-59714-173-4
Page Count: 32
Publisher: Heyday
Review Posted Online: July 23, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Categories: CHILDREN'S ACTION & ADVENTURE FICTION
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by Dav Pilkey ; illustrated by Dav Pilkey ‧ RELEASE DATE: Aug. 26, 2014
The famous superhero returns to fight another villain with all the trademark wit and humor the series is known for.
Despite the title, Captain Underpants is bizarrely absent from most of this adventure. His school-age companions, George and Harold, maintain most of the spotlight. The creative chums fool around with time travel and several wacky inventions before coming upon the evil Turbo Toilet 2000, making its return for vengeance after sitting out a few of the previous books. When the good Captain shows up to save the day, he brings with him dynamic action and wordplay that meet the series’ standards. The Captain Underpants saga maintains its charm even into this, the 11th volume. The epic is filled to the brim with sight gags, toilet humor, flip-o-ramas and anarchic glee. Holding all this nonsense together is the author’s good-natured sense of harmless fun. The humor is never gross or over-the-top, just loud and innocuous. Adults may roll their eyes here and there, but youngsters will eat this up just as quickly as they devoured every other Underpants episode.
Dizzyingly silly. (Humor. 8-10)Pub Date: Aug. 26, 2014
ISBN: 978-0-545-50490-4
Page Count: 224
Publisher: Scholastic
Review Posted Online: June 4, 2014
Kirkus Reviews Issue: June 15, 2014
Categories: CHILDREN'S ACTION & ADVENTURE FICTION
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by Rebecca Bond ; illustrated by Rebecca Bond ‧ RELEASE DATE: July 7, 2015
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: April 1, 2015
Kirkus Reviews Issue: April 15, 2015
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