This worthy tale delivers an epic feel and strong characters.
A novel follows a surgeon who possesses all the material comforts anyone could want, but harbors a deep lacking in his soul.
When readers first meet Hiram McDowell, he is leaving a hiking partner for dead and trying to make it back down a mountain in Nepal in 1981. It’s hard to judge if McDowell is simply callous and cruel or whether this is an issue of survival. Everything readers learn about him in the next few chapters, though, shows he is a pig who treats women like objects and deceives his third wife, Carole Mastriano. He’s also power-hungry, cheating a colleague, Michael O’Leary, out of a post on his way to becoming president of the International College of Surgeons. The one soft spot he has is for his three kids: Billie, who gets in trouble with one of Carole’s daughters; Ann, who copes with a turbulent marriage and mean children; and Sophie, who seeks to find her professional footing as a photographer. The tales start to converge when Paige Sterling, a journalist in her 50s fighting sexism at her network to keep her job, is assigned to cover McDowell’s story. Tragedy befalls the family when Ann’s son Jeremy goes on a killing spree, which leads to McDowell’s ultimate downfall when he is convicted of murdering the culprit in his hospital bed. McDowell escapes from prison and begins an unlikely association with a bookstore owner named Maud and her family. That gives him a chance at spiritual redemption while Sterling and the police try to hunt him down. Coles (Sister Carrie, 2016, etc.) has a knack for creating distinct characters. From McDowell to the members of Sterling’s crew in Nepal, they all have their own personalities. No player is wasted as a mere plot device. The author also expertly weaves together varied threads, though there are certain points where the story jumps forward past important action. But Billie revealing his indiscretions and his desire to be an artist; Sophie struggling to find herself after her partner is murdered; Ann navigating her marriage; and Sterling using unexpected opportunities all dovetail well with McDowell’s arc.
This worthy tale delivers an epic feel and strong characters.Pub Date: Aug. 22, 2015
ISBN: 978-0-9961903-4-3
Page Count: 472
Publisher: Storyinliteraryfiction.com
Review Posted Online: April 20, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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