Glum fun.

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EYES

NOVELLAS AND STORIES

A set of stories about senses and sensory deprivation from contemporary American literature’s longtime laureate of disillusionment.

Gass (Middle C, 2013, etc.) has always been a love-hate proposition. He's an exquisite maker of sentences, weighing his prose like a poet for rhythm, consonance, and intellectual heft. (“Color is a lure. Color is candy….Color is oratory in the service of the wrong religion….Color is camouflage.”) But his fiction is a tough sell, built as it is out of storm clouds and fury at a humanity that has forever fallen short. The two novellas that anchor this collection reveal the upsides and downsides of that approach. The excellent, punningly titled “In Camera” is set in a photography gallery whose holdings are carefully guarded by its owner and whose acquisition processes may not be strictly legal. That question gives the story its drama, but Gass is more interested in exploring the ways photographs can render (and in a way surpass) reality, closing with a dry but artful riff on Plato’s “Allegory of the Cave.” “Charity,” a story almost entirely without paragraph breaks, explores one man’s lifetime of exasperation with pleas for donations, from cookie-schlepping Girl Scouts to junk mail to telemarketers; the feeling of oppression Gass creates is palpable if static; its dour mood rarely shifts. The remaining stories are shorter (if not necessarily lighter) experiments in form and style: a story told from the perspective of the prop piano in Casablanca, another about a man who communicates solely with his hands, a man recalling his childhood in fragmented prose that evokes stray puzzle pieces. It says something about Gass’ talent and flexibility that he can write an effective story that’s narrated by a barber-shop folding chair. But this is Gass’ universe, and here, even folding chairs don’t get off easy.

Glum fun.

Pub Date: Oct. 15, 2015

ISBN: 978-1-101-87472-1

Page Count: 256

Publisher: Knopf

Review Posted Online: July 29, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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Visionary speculative stories that will change the way readers see themselves and the world around them: This book delivers...

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EXHALATION

Exploring humankind's place in the universe and the nature of humanity, many of the stories in this stellar collection focus on how technological advances can impact humanity’s evolutionary journey.

Chiang's (Stories of Your Life and Others, 2002) second collection begins with an instant classic, “The Merchant and the Alchemist’s Gate,” which won Hugo and Nebula awards for Best Novelette in 2008. A time-travel fantasy set largely in ancient Baghdad, the story follows fabric merchant Fuwaad ibn Abbas after he meets an alchemist who has crafted what is essentially a time portal. After hearing life-changing stories about others who have used the portal, he decides to go back in time to try to right a terrible wrong—and realizes, too late, that nothing can erase the past. Other standout selections include “The Lifecycle of Software Objects,” a story about a software tester who, over the course of a decade, struggles to keep a sentient digital entity alive; “The Great Silence,” which brilliantly questions the theory that humankind is the only intelligent race in the universe; and “Dacey’s Patent Automatic Nanny,” which chronicles the consequences of machines raising human children. But arguably the most profound story is "Exhalation" (which won the 2009 Hugo Award for Best Short Story), a heart-rending message and warning from a scientist of a highly advanced, but now extinct, race of mechanical beings from another universe. Although the being theorizes that all life will die when the universes reach “equilibrium,” its parting advice will resonate with everyone: “Contemplate the marvel that is existence, and rejoice that you are able to do so.”

Visionary speculative stories that will change the way readers see themselves and the world around them: This book delivers in a big way.

Pub Date: May 8, 2019

ISBN: 978-1-101-94788-3

Page Count: 368

Publisher: Knopf

Review Posted Online: Feb. 17, 2019

Kirkus Reviews Issue: March 1, 2019

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Old-fashioned short fiction: honest, probing and moving.

A PERMANENT MEMBER OF THE FAMILY

One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.

Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.

Old-fashioned short fiction: honest, probing and moving.

Pub Date: Nov. 12, 2013

ISBN: 978-0-06-185765-2

Page Count: 304

Publisher: Ecco/HarperCollins

Review Posted Online: Sept. 1, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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