A compassionate, well-written novel with memorable characters and skillfully expressed insights.


A Nebraska girl attending a Midwestern college in the 1960s is taken advantage of by an unscrupulous foreign student, something she takes decades to fully understand.

In Goodson’s novel, one narrator is the nameless blue-eyed girl; the other is Sayiid Algedda, a man from an unnamed Middle Eastern country who comes to America for college. The blue-eyed girl, pretty, naïve and trusting, feels responsible for keeping others happy—like so many girls of her generation. She’s no match for the rich, well-connected and sociopathic Sayiid, who manipulates her into being alone with him and then rapes her. He insists on continuing to see her, controlling her through fear and intimidation. She’s already seen how easily a girl’s life can be ruined through gossip, and diplomatic immunity protects him from arrest. Over the years, Sayiid continues to contact her and her family. It’s not until later in life that she’s able to fully confront her experience. Goodson (It’s Your Body...Ask!, 2000) powerfully conveys the girl’s nightmarish, slow-motion helplessness, more harrowing for the veneer of a normal relationship: “I laughed with Sayiid because I could not get away, and I could not live in a continual state of anger. I smiled to survive,” says the blue-eyed girl. Readers are likely to spend much of the book tense and angry on her behalf, so vividly does Goodson evoke her trapped, shamed cooperation. He makes understandable the cultural and family background that keep her silent and the many ways she was set up—for example, by the professors who “encouraged us to socialize with guys whose culture taught them that a girl by herself was fair game.” While Goodson portrays Sayiid as a villain, not all Middle Eastern men are so depicted; Sayiid’s compatriots are characterized as men of integrity. The sometimes overlong but realistic novel shows the slow process of understanding: “In the movies, the heroine gets angry, toughens up, and kicks ass; but in real life, things unfold.” Goodson describes this unfolding well, with a heartening conclusion.

A compassionate, well-written novel with memorable characters and skillfully expressed insights.

Pub Date: Feb. 12, 2014

ISBN: 978-0976039822

Page Count: 376

Publisher: Red Square Press

Review Posted Online: March 27, 2014

Did you like this book?

No Comments Yet


While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

Did you like this book?

No Comments Yet

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

Did you like this book?

No Comments Yet