A quietly fierce, resoundingly literate pedagogic autobiography. In an age when books are often regarded as mere texts, Pritchard (English/Amherst Coll.; Frost: A Literary Life Reconsidered, 1984, etc.) is one of the few remaining champions of literature for its own sake, an eloquent advocate of letting books ``speak for themselves in such a way as to lift us into a new, absorbing world.'' Pritchard has the nerve to argue not only for the value of ``Great Books'' but also for reading's crucial role in teaching one to write and, indeed, to think. In the tradition of The Education of Henry Adams, Pritchard uses his own education as a fulcrum for trying to understand the swirl of his times. First as an undergraduate at Amherst and then as a graduate student at Columbia and Harvard, he was the beneficiary of what has often been called the ``golden age'' of American universities, a time when there was a ``virtually unanimous consensus about the best way to educate young people; about what they needed to know and the order in which they needed to know it.'' But then, as an English professor at Amherst, Pritchard watched in shock as the '60s tore this consensus apart. Some changes, including coeducation and increasing minority enrollment, were long overdue, but many, especially the gutting of core requirements, he regards as devastating. This decline of the American university has been frequently detailed but rarely with the kind of elegiac grace that characterizes this remembrance of things past. While Pritchard occasionally veers off into the esoteric and is a little too quote- happy (typical pitfalls of his profession), his intelligence and thoughtfulness are a welcome antidote to the spew and babble that have become all too characteristic of today's culture wars. A subtle, modest chronicle, yet one that often burns with a hard, gemlike flame.
Pub Date: Oct. 1, 1995
ISBN: 1-55597-234-9
Page Count: 176
Publisher: Graywolf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1995
BOOK REVIEW
BOOK REVIEW
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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