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SIGHS TOO DEEP FOR WORDS

Funny, touching, heartbreaking and insightful.

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Sibley (Any Kind of Luck, 2002) blends skillful storytelling with a sharp insight into human nature in this darkly humorous, intricately plotted tale of a prison inmate who, through years of correspondence, falls in love with a woman he has never met—a woman who turns out not only to be a gay man, but a closeted gay minister.

Lester Briggs is serving a five-year prison term for stealing—of all things—a church. Out of prison early for good behavior, Lester leaves behind his cellmate and lover of convenience, “Little Ray,” and heads for the small town of Rockport, Texas, where he hopes to find Laurel Jeanette Yancey, the love of his life. He finds instead the closeted gay minister who has been writing to him; the minister’s lesbian sister; a kindly, old gas station manager who offers him advice and later a job; and a whole host of other colorful characters (most of whom end up having some bearing on the plot, however minor). Plotlines reach levels of mistaken identity, confusion and startling coincidence not often seen outside of farce or soap opera, but this infuses the events of the story with a genuine humor and insight that keeps the material fresh. Sibley deftly handles his characters’ emotions, from the brief connection between a distant father and son, to the emotional roller coaster Lester Briggs finds himself on—in love with the mind of a man and the body of that man’s lesbian sister, all while struggling to adjust to the realities of life outside of prison. It’s to Sibley’s credit that the emotional reality of the characters never suffers for the sometimes outlandish convolutions of the plot. Readers looking for an entertaining book with surprising touches of depth and emotion are sure to enjoy this fresh, dramatic tale.

Funny, touching, heartbreaking and insightful.

Pub Date: Oct. 10, 2012

ISBN: 978-1477664179

Page Count: 310

Publisher: CreateSpace

Review Posted Online: Nov. 20, 2012

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Mary's Song

From the Dream Horse Adventure Series series , Vol. 1

A short, simple, and sweet tale about two friends and a horse.

A novel tells the story of two spirited girls who set out to save a lame foal in 1952.

Mary, age 12, lacks muscle control of her legs and must use a wheelchair. Her life is constantly interrupted by trips with her widower father to assorted doctors, all of whom have failed to help her. Mary tolerates the treatments, hoping to one day walk unassisted, but her true passion involves horses. Possessing a library filled with horse books, she loves watching and drawing the animals at a neighboring farm. She longs to own one herself. But her father, overprotective due to her disability and his own lingering grief over Mary’s dead mother, makes her keep her distance. Mary befriends Laura, the emotionally neglected daughter of the wealthy neighboring farm owners, and the two share secret buggy rides. Both girls are attracted to Illusion, a beautiful red bay filly on the farm. Mary learns that Illusion is to be put down by a veterinarian because of a lame leg. Horrified, she decides to talk to the barn manager about the horse (“Isn’t it okay for her to live even if she’s not perfect? I think she deserves a chance”). Soon, Mary and Laura attempt to raise money to save Illusion. At the same time, Mary begins to gain control of her legs thanks to water therapy and secret therapeutic riding with Laura. There is indeed a great deal of poignancy in a story of a girl with a disability fighting to defend the intrinsic value of a lame animal. But this book, the first installment of the Dream Horse Adventure Series, would be twice as touching if Mary interacted with Illusion more. In the tale’s opening, she watches the foal from afar, but she actually spends very little time with the filly she tries so hard to protect. This turns out to be a strange development given the degree to which the narrative relies on her devotion. Count (Selah’s Sweet Dream, 2015) draws Mary and Laura in broad but believable strokes, defined mainly by their unrelenting pluckiness in the face of adversity. While the work tackles disability, death, and grief, Mary’s and Laura’s environments are so idyllic and their optimism and perseverance so remarkable that the story retains an aura of uncomplicated gentleness throughout.

A short, simple, and sweet tale about two friends and a horse.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Hastings Creations Group

Review Posted Online: Oct. 15, 2016

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ONCE UPON A GIRL

Therapeutic, moving verse from a promising new talent.

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Keridan’s poetry testifies to the pain of love and loss—and to the possibility of healing in the aftermath.

The literary critic Geoffrey Hartman once wrote that literature—and poetry, in particular—can help us “read the wound” of trauma. That is, it can allow one to express and explain one’s deepest hurts when everyday language fails. Keridan appears to have a similar understanding of poetry. She writes in “Foreword,” the opening work of her debut collection, that “pain frequently uses words as an escape route / (oh, how I know).” Many words—and a great deal of pain—escape in this volume, but the result is healing: “the ending is happy / the beginning was horrific / so let’s start there.” The book, then, tracks the process of recovery in the wake of suffering, and often, this suffering is brought on by romantic relationships gone wrong. An early untitled poem opens, “I die a little / taking pieces of me to feed the fire / that keeps him warm / you don’t notice that it’s a slow death / when you’re disappearing little by little.” The author’s imagery here—of the self fueling the dying fire of love—is simultaneously subtle and wrenching. But the poem’s message, amplified elsewhere in the book, is clear: We go wrong if we destructively give ourselves over to others, and healing comes only when we turn our energies back to our own good. Later poems, therefore, reveal that self-definition often equals strength. The process is painful but salutary; when “you’re left unprotected / surrounded by chaos with nothing you / can depend on / except yourself / and that’s when you gather the pieces / of the life you lost / and use them to build the life you want.” The “life you want” is an elusive goal, and the author knows that the path to self-definition is fraught with peril—but her collection may give strength to those who walk it.

Therapeutic, moving verse from a promising new talent.

Pub Date: Nov. 2, 2018

ISBN: 978-1-72770-538-6

Page Count: 196

Publisher: CreateSpace

Review Posted Online: Jan. 9, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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