An invitingly detailed portrait of the Guilford (Connecticut) Free Library, from photos of books the author enjoyed there as a boy and of its still-active former director to descriptions of the latest technology; from nitty-gritty details like fines and spine labels to a full range of materials and services—all generously illustrated with excellent color photos of staff, programs, people chosing and reading books, a behind- the-scenes look at book processing, and such intriguing details as how finger puppets are attached to a special glove (velcro). Jaspersohn even distinguishes between ``library staff'' who check out books and librarians; all that's missing from this admirable survey is book selection (and more adult concerns such as budgeting and social issues). Attractive and up-to-the-minute, just the thing to hand a teacher planning a class visit—or a new trustee. Creatively, from Petunia to Help! I'm a Prisoner in the Library, the ``Additional Reading'' listed is all fiction. (Nonfiction. 5-10)
Pub Date: March 1, 1994
ISBN: 0-395-55723-2
Page Count: 48
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1994
BOOK REVIEW
BOOK REVIEW
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
Steig (Toby, Where Are You?, 1997, etc.), inspired by a game he used to play with his daughter, turns a rainy day into a pizza party, starring a caring father and his feeling-blue son, Pete. Just when Pete was set to go play ball with his friends, it starts to rain. His melancholy is not lost on his father: “He thinks it might cheer Pete up to be made into a pizza.” Which is just what the father proceeds to do. Pete is transported to the kitchen table where he is kneaded and stretched, tossed into the air for shaping, sprinkled with oil and flour and tomatoes and cheese (water, talcum, checkers, and bits of paper). He then gets baked on the living room couch and tickled and chased until the sun comes out and it is time to speed outside, a pizza no more, but happy. What leaps from the page, with a dancer’s grace, is the warmth and imagination wrapped in an act of kindness and tuned- in parenting. As always, Steig’s illustrations are a natural—an organic—part of the story, whether Pete’s a pizza, or not. (Picture book. 5-10)
Pub Date: Oct. 31, 1998
ISBN: 0-06-205157-1
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1998
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