A bewildering and tangled analysis of religion’s unconcealed truths.

God's Ambiance

IS REVEALED IN THE MATRIX OF WISDOM

A complex book attempts to uncover the esoteric mathematics that unites all of the world’s religions.

According to Meegan (The Sistine Chapel, 2012), there is a deep mathematical structure that is the internal core of all of the globe’s religions, and that has been known by their “inner hierarchies” for millennia. This esoteric science has never been revealed to an uninitiated public, and even if it were, it’s so maddeningly labyrinthine that it’s unlikely it would be understood. This symbolic code is sometimes expressed in alphanumeric writing as found in sacred literature like the Bible, but can also be seen in political documents like the U.S. Constitution, as well as in architectural creations like the Sistine Chapel or even the urban planning of Washington, D.C. The author takes great pains to discover the “matrix of wisdom” embedded in the narrative structure of Dante’s Divine Comedy. This hidden code conveys, if properly understood, the real substance of religious doctrine. For example, biblical Scriptures are better interpreted as instruments for the deliverance of this code, rather than the communication of an explicit dogma. When distilled to its essential form, the matrix embodies a double reality: ego-consciousness in general, and the unconscious mind of every human being in history. Unfortunately, it’s never entirely clear what this means, or how precisely to understand the matrix even as a mathematical construct. The author identifies various quantitative patterns—for example, there is some kind of relationship between the number of American congressmen and the number of words in the first chapter of Genesis, though it remains obscure. Meegan doesn’t explicitly try to unpack the meaning of the matrix until Chapter 11, and its discovery on his part seems to require a series of revelatory intuitions that transcend mathematical formulas. At one point, he concedes that his book might not make any sense to a reader not similarly assisted: “As I reread this manuscript I realized that even with this tsunami of images and commentary this work will still appear as a sea of chaos to the reader that does not have those ethereal helping hands guiding him or her through its labyrinth ways.” Most of the book is written in this turgid, bafflingly serpentine manner, and sometimes the prose is simply impenetrable. The author’s world-historical ambition remains impressive, but the study lacks both coherence and analytical rigor.

A bewildering and tangled analysis of religion’s unconcealed truths.

Pub Date: Oct. 3, 2016

ISBN: 978-1-4787-7939-1

Page Count: -

Publisher: Outskirts Press

Review Posted Online: Oct. 28, 2016

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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