by William Joiner ‧ RELEASE DATE: May 25, 2019
An often enjoyable thriller that’s sometimes hampered by awkward dialogue.
In Joiner’s (Hardened Hearts, 2018, etc.) thriller, a serial murderer stalks victims in Los Angeles while taunting one of the detectives investigating the crimes.
Police Lt. Elgie Reynolds has been on desk duty for three months, following a suspension and treatment for alcoholism. His first case back in the field involves a sex worker who narrowly survived a vicious stabbing attack. It turns out that the unknown assailant’s unique pattern of attack—20 shallow wounds and two deep one—appeared in a West Hollywood murder case two weeks earlier. Cops suspect that it’s the work of a serial killer whom Reynolds ultimately dubs “the Butcher.” The killer sends a letter to a TV news station, implying impending murders and specifically mentioning lead investigator Reynolds. More victims do indeed turn up, but although the Butcher’s first two targets were sex workers, the new ones are unfaithful spouses. The Los Angeles Police Department creates a task force, but Reynolds’ superiors enlist another detective to take over the case. However, the Butcher has been regularly calling Reynolds to boast of his crimes, and he stays focused on the lieutenant. The cop has a hunch about the killer’s identity, but finding proof won’t be easy. The majority of Joiner’s novel consists of dialogue, which befits the story; after all, a procedural requires detectives to discuss the ongoing case at length. However, many exchanges feel unnecessarily stilted. Even a simple phone call can contain a good deal of filler, including repetitive greetings: “ ‘Hello, Lieutenant Reynolds?’ ‘Yes, this is Lieutenant Reynolds.’ ” Still, Joiner ensures that all the discourse is comprehensible, and that the characters are distinctive; Reynolds’ wife, Vanessa, for example, relates to a surviving victim by divulging a past trauma, and Lt. Rodney Gray annoys his fellow detectives with his excessive baseball metaphors. The mystery itself is sound, with a convincing and memorably unsettling wrap-up.
An often enjoyable thriller that’s sometimes hampered by awkward dialogue.Pub Date: May 25, 2019
ISBN: 978-1-07-020443-7
Page Count: 274
Publisher: Time Tunnel Media
Review Posted Online: Aug. 26, 2019
Review Program: Kirkus Indie
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by Nora Roberts ‧ RELEASE DATE: June 13, 1995
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
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by Kristin Hannah ‧ RELEASE DATE: Jan. 31, 2012
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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