by William Logan ‧ RELEASE DATE: Oct. 1, 1999
An accomplished poet (Vain Empires, 1998), and Univ. of Florida professor, Logan collects his fugitive essays and reviews for a second volume of criticism that firmly establishes him as the preeminent poet-critic of his generation—with none of the back-slapping mutual-admiration-society stuff that passes for literary comment these days. Logan’s hard-hitting reviews and carefully measured essays rely on wit, grace, and learning. Informed by his own experience as a poet, his prose ranges from (to use his words) “the exquisite pulse-taking of Eliot” to the “journalistic smash-and-grab of Randall Jarrell—: “The Condition of the Individual Talent” directly engages Eliot on the uses of tradition, a concern Logan refers to again and again. The Jarrell in Logan surfaces especially in his short reviews: He dissects Creeley’s “quiet squalor of sentiment—; Edward Hirsch’s ’sentimental grotesque,” and C.K. Williams’s “maudlin self-regard verging on self-pity.” Logan also attends to the progression of careers: J.D. McClatchy’s “tortured prettiness” evolves into “a gorgeously gloomy beauty—; and Seamus Heaney’s later work suffers from “the palsy of early canonization.” A brilliant close reader, Logan can also sweep aside established reputations with a single stroke, whether analyzing Ashbery’s “arrested aestheticism” or Ginsberg’s “courage of cracked individualism.” Essays on Merrill, Auden, Bishop, Hecht, and Justice celebrate Logan’s elders, and in Gertrude Schnackenberg’s work, he finds the gold standard for his generation. Fully a fifth of this fair-minded volume concerns Geoffrey Hill, whose own prose serves as “the unguarded back door to the design of the poetry,” which itself has “the ability to make poetry matter.” For all his traditionalist instincts, Logan is no fogey, and his opinions are seldom predictable, though all his work reflects a profound sense of literary history—no small feat in the current debased climate for verse. If criticism is a “higher form of gossip,” as Logan modestly avers, then he’s the Walter Winchell of critics: tough-minded, fearless, and dead-on. His stray pieces—written for newspapers as well as scholarly journals—add up to a masterful survey of contemporary verse.
Pub Date: Oct. 1, 1999
ISBN: 0-8130-1697-5
Page Count: 258
Publisher: Univ. Press of Florida
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2000
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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