An exhilarating thriller; Clive Cussler fans will find that Peter Case floats their boat.
A diving pro and part owner of a Canadian undersea salvage company tangles with international criminals and multiple intelligence agencies.
In Eshleman’s second installment of a thriller series, Peter Case returns home to Canada after completing his doctorate in zoology in Jamaica, where he also got involved in an international conspiracy with a CIA connection. Now, he and his buddy Hal operate their maritime salvage business out of a former fish factory that is half a kilometer up the inlet from the vacation cabin of redheaded widow Kathleen and her precocious young daughter, Amy. Case, a swaggering, 6-foot-3-inch (in cowboy boots), sculpted-thighed, deep-chested, long-haired heavy smoker, is smitten with Kathleen, but imminent danger demands more of his attention. On a mission to kill him are crime ring members he encountered in Jamaica, a pair of whom Case outmaneuvers on a twisty mountain road. Humor adds flavor to the story; for example, when examining a sunken wreck, Case encounters a shark that turns out to be a dead specimen Hal released in the ship to freak out his friend (mission accomplished). Car chases, kidnappings, fights, killings, and proposed torture, such as a “foot tenderized with a ball-peen hammer,” saturate the book. Case is so cocky and so often in danger that someone says to him, “Everyone you meet seems to want you dead. I believe I’m beginning to understand why.” Case’s mind whirls as he realizes some of the players—“CIA, CSIS, MI6, KGB”—in the crime drama surrounding him. The backstory of the Jamaica escapade is revealed organically, as is Case’s past as a bullied, chubby kid who transformed his body and built his confidence by engaging in martial arts and weight training. Underwater sequences are handled particularly well, and scenes of the stunning Rockies are travelogue perfect. But Kathleen’s inability to keep tabs on her daughter is bothersome, and the spunky kid often comes off as more annoying than charming (remember what Lou Grant said about spunk).
An exhilarating thriller; Clive Cussler fans will find that Peter Case floats their boat.Pub Date: May 30, 2022
ISBN: 978-1-03-914810-9
Page Count: 312
Publisher: FriesenPress
Review Posted Online: July 25, 2022
Kirkus Reviews Issue: Sept. 1, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Squeamish readers will find this isn’t their cup of tea.
Dexter meets Killing Eve in Wallace’s dark comic thriller debut.
While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.
Squeamish readers will find this isn’t their cup of tea.Pub Date: April 16, 2024
ISBN: 9780143136170
Page Count: 336
Publisher: Penguin
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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