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SIMON'S MANSION

An engrossing saga of a gay man dealing with the sins of a lurid past while moving assuredly into the future.

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The eventful life of a troubled young gay man comes full circle in this third installment of a series.  

The adventures of resilient protagonist Simon Powell continue in this novel, which charts his post-rehab existence after years of melodrama. He escaped a conservative upbringing and involvement with the Unification Church as a teenager, then intensive drug use with shady acquaintances in Southern California. Finally fed up with his string of bad luck coupled with years of poor life choices, Simon finishes a stint in rehab, then retreats to his birthplace of Sibley, Arkansas, and his family’s pre-Civil War timber mansion. Eager to recharge and reboot his life and start anew, he finds himself surrounded by ghosts of the past. Painful memories of his dead father’s judgmental criticism merge with childhood stories, all clouding Simon’s mind as he and his Los Angeles boyfriend, Thad (also fresh from a drug dependency program), begin moving into the mansion. As things progress and Simon settles into his new life with Thad, efforts are made to repair deep-rooted Southern familial ties previously severed by assumptions, misunderstandings, and anti-Christian lifestyle choices. A family reunion attended by Simon and his mother opens old wounds, but an offer to permanently remain at the mansion to resume marketing films and dabbling in his art endeavors takes him by surprise and seems like a solid plan. Eager to focus on his own work, Thad returns to LA to continue collaborating with an adult film producer, but Simon has reservations about his departure. As the lure of sinister influences begins to tempt Thad in California, Simon must deal with his mother’s failing health and, later, the sudden disappearance of his lover after some vengeful Spaniards from their past make their presence known. Poe (Endings, 2015, etc.) begins the story with flashbacks, sketching in the details of Simon’s checkered history. This narrative touch will familiarize uninitiated readers with the series and provide an appropriate amount of plot refreshing for loyal followers of Simon’s gritty, fraught journey. The author writes with more certainty and ease than he’s exhibited in previous volumes, though his impeccable sense of place remains solid throughout. The tale’s narrative moves from past to present seamlessly, laying out Simon’s situation candidly and without hesitation or overt exposition, which paves the way for plenty of melodrama and family tension. Though he’s come home to heal, there’s no denying that Simon’s problems have followed him to his hometown and still darken his days. This inability to resolve his issues may become wearisome to readers hoping that Simon will find some happiness after so many bleak periods of addiction. Alternately, for readers familiar with the series, Simon’s continual struggle with forgiveness, recovery, intimate relationships, and the momentum of his life is what gives Poe’s books their moxie.

An engrossing saga of a gay man dealing with the sins of a lurid past while moving assuredly into the future.

Pub Date: N/A

ISBN: 978-1-72907-843-3

Page Count: 287

Publisher: Time Tunnel Media

Review Posted Online: Sept. 11, 2019

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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