LUNATIC WIND

SURVIVING THE STORM OF THE CENTURY

What's it like to be caught in a thunderous downpour swept by 150-mph winds with a tidal wave heading straight at you? Sheer terror, of course—which novelist Fox (Dixiana Moon, 1980) evokes vividly in detailing how Hurricane Hugo gobbled up the South Carolina shore in 1989. Fox interweaves two types of narrative here. One periodically sets the scene by means of brief notes on South Carolina, on Charleston (which Hugo devastated), on hurricane lore (most of it very familiar), on the clean-up after the storm, and so on. These fact-and-figure passages, though informative, contain little kick, and most readers will find themselves flipping to Fox's second group of narratives—his ``docu-drama'' reenactments, based on intensive interviews but using composite characters, of how several bands of people lived through Hugo. These vignettes, intended to ``convey the feel of the storm,'' are terrifically gripping. Central among them is the saga of two teenage boys caught in a beach house: ``He spun back around to see the surf. The water was black as ink and coming at them like a moving cliff.'' When the storm surge smashes their house, the boys take refuge on a neighboring roof only to be targeted by a tornado: ``They grabbed each other's arms and held onto the chimney as they were lifted up and stretched out like washing on a clothesline and whipped from side to side.'' Also outstanding are stories of a shrimp-boat captain riding out the hurricane on his ship and of residents of a small town sheltering in their local high school as the storm surge hits with such force that through the glass doors they can see ``fish and shrimp...swimming around.'' Too much chalk-and-blackboard stuff, but Fox cuts to the chase often enough to make this generally prime fare for stormnauts, far superior to John Fuller's comparable Tornado Watch #211 (1987). (Maps.)

Pub Date: Sept. 21, 1992

ISBN: 0-945575-42-4

Page Count: 216

Publisher: Algonquin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 1992

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Jahren transcends both memoir and science writing in this literary fusion of both genres.

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LAB GIRL

Award-winning scientist Jahren (Geology and Geophysics/Univ. of Hawaii) delivers a personal memoir and a paean to the natural world.

The author’s father was a physics and earth science teacher who encouraged her play in the laboratory, and her mother was a student of English literature who nurtured her love of reading. Both of these early influences engrossingly combine in this adroit story of a dedication to science. Jahren’s journey from struggling student to struggling scientist has the narrative tension of a novel and characters she imbues with real depth. The heroes in this tale are the plants that the author studies, and throughout, she employs her facility with words to engage her readers. We learn much along the way—e.g., how the willow tree clones itself, the courage of a seed’s first root, the symbiotic relationship between trees and fungi, and the airborne signals used by trees in their ongoing war against insects. Trees are of key interest to Jahren, and at times she waxes poetic: “Each beginning is the end of a waiting. We are each given exactly one chance to be. Each of us is both impossible and inevitable. Every replete tree was first a seed that waited.” The author draws many parallels between her subjects and herself. This is her story, after all, and we are engaged beyond expectation as she relates her struggle in building and running laboratory after laboratory at the universities that have employed her. Present throughout is her lab partner, a disaffected genius named Bill, whom she recruited when she was a graduate student at Berkeley and with whom she’s worked ever since. The author’s tenacity, hope, and gratitude are all evident as she and Bill chase the sweetness of discovery in the face of the harsh economic realities of the research scientist.

Jahren transcends both memoir and science writing in this literary fusion of both genres.

Pub Date: April 5, 2016

ISBN: 978-1-101-87493-6

Page Count: 336

Publisher: Knopf

Review Posted Online: Jan. 5, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a...

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H IS FOR HAWK

An inspired, beautiful and absorbing account of a woman battling grief—with a goshawk.

Following the sudden death of her father, Macdonald (History and Philosophy/Cambridge Univ.; Falcon, 2006, etc.) tried staving off deep depression with a unique form of personal therapy: the purchase and training of an English goshawk, which she named Mabel. Although a trained falconer, the author chose a raptor both unfamiliar and unpredictable, a creature of mad confidence that became a means of working against madness. “The hawk was everything I wanted to be: solitary, self-possessed, free from grief, and numb to the hurts of human life,” she writes. As a devotee of birds of prey since girlhood, Macdonald knew the legends and the literature, particularly the cautionary example of The Once and Future King author T.H. White, whose 1951 book The Goshawk details his own painful battle to master his title subject. Macdonald dramatically parallels her own story with White’s, achieving a remarkable imaginative sympathy with the writer, a lonely, tormented homosexual fighting his own sadomasochistic demons. Even as she was learning from White’s mistakes, she found herself very much in his shoes, watching her life fall apart as the painfully slow bonding process with Mabel took over. Just how much do animals and humans have in common? The more Macdonald got to know her, the more Mabel confounded her notions about what the species was supposed to represent. Is a hawk a symbol of might or independence, or is that just our attempt to remake the animal world in our own image? Writing with breathless urgency that only rarely skirts the melodramatic, Macdonald broadens her scope well beyond herself to focus on the antagonism between people and the environment.

Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a classic in either genre.

Pub Date: March 3, 2015

ISBN: 978-0802123411

Page Count: 288

Publisher: Grove

Review Posted Online: Nov. 4, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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