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Lions of The Empire

COMPLETE TRILOGY

Medieval military–history buffs will be intrigued, though readers looking for subtle drama won’t be as impressed.

In Robert’s sweeping debut novel—“the complete trilogy”—the fall of an empire leads to a half-century of warfare before peace and unity are restored.

Robert’s forward implies that this story is based on true events of “a thousand odd years ago,” and the vaguely Mitteleuropean character of places and people—Nordenkraj, Zentralenkraj, Vasserkraj—suggests that it’s meant to be the Holy Roman Empire. What starts as a petty grab for power on the part of an aging emperor’s young wife brings down an already shaky, corrupt government. In the aftermath of this coup, some men unite in a general allegiance to the idea of an empire; others are merely out for what they can get. The main characters who emerge are Howster, who uses his craftiness and military prowess to get the boy emperor under his control, and the trio of Lucent, Gordon and Max, brothers in arms who prove themselves as mercenary soldiers before Lucent’s noble blood leads him to a position of power in the mining city of Bergenkraj. Though successful warriors in different ways, these latter three only come into their own when Lucent happens upon a mysterious hermit named Fabian who turns out to be a genius at military strategy. Opposed to them is a long line of villains, all ultimately done in by their own greed, cruelty and senselessness. After episodes of back-stabbing and whirlwind side-changing in the immediate aftermath of the empire’s dissolution, the land settles into three kingdoms, until finally, about three generations after the crisis, the empire is reunited. (Oddly, after the empire’s collapse, no outside force attempts to take advantage of the chaos; it’s all infighting among former regions of the empire.) Although well-written, the narrative reads more like a military history than a novel, describing events rather than allowing the story to come to light through the interactions of its characters. For instance, when Lucent meets Fabian, readers are told he “was impressed by Fabian’s calmness as he discussed [his plans],” but those plans aren’t conveyed. Rare female characters rapidly disappear once they’ve served their purpose in the male agenda; for instance, the deaths of Lucent’s first wife and a heretofore unknown son in a plague are mentioned in passing for no apparent reason other than to explain an insult. Admittedly, adequately dramatizing a tale of this heft would result in a book even longer than these current 700-plus pages.

Medieval military–history buffs will be intrigued, though readers looking for subtle drama won’t be as impressed.

Pub Date: Dec. 1, 2012

ISBN: 978-0987994943

Page Count: 706

Publisher: William Robert

Review Posted Online: July 8, 2013

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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