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MOTHER'S DAY

A WAR STORY

An unsettling, roving novel about trauma and soldiering.

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Singley’s (The Bali Hai Enchantment Spa Murders, 2017, etc.) Vietnam War novel follows five soldiers at different points in the service cycle.

Spc. Jimmy Hogan—who received the nickname “Jungle Jimmy” for shooting a young, possibly unarmed Vietnamese man while relieving himself outdoors—is 10 months into his tour as part of an airborne infantry company, currently stationed near Tam Ky. His best friend, Cpl. Thomas Gaylord, is at a military hospital in Japan, where he’s recuperating from a grenade injury that cost him his hand. 1st Lt. Harry “Pineapple” Papeeko, whose feelings are increasingly turning against the war, is also hospitalized—but he’s back home in Hawaii, recovering from mental trauma. Former Spc. Jay Jager has gone home to West Virginia, where he was once persuaded by a judge to join the Army after he committed a violent crime. Pfc. Chris “Cherry” Scott is also stationed near Tam Ky, and he’s still seen as “the new guy” even though he’s seen combat; he’s also pining for his girlfriend back in Los Angeles. Each man bears the psychological scars of deployment, brought on by the constant fear of death and the repetitive counting of days until the end of a tour. Looming largest in their lives is an attack that happened on Mother’s Day—a day when everything went wrong and which forever shaped each man’s experiences of the war and all that came after. Singley’s prose is frank and wonderfully marbled with specificity, capturing the panicked tension that ticks away within each character: “Home was unreal, an anchor to the past, a place to be secure. Reality was here, in this black moment before dawn, reality was his damp fatigues and the stars slowly vanishing.” The book also has an episodic feel as the narration jumps from man to man, slowly revealing the connections that exist between them. It’s a purposefully unpleasant read at times—the racism, misogyny, violence, and general misanthropy of the soldiers are frequent and disturbing—but this fits in honestly with other books in its genre.

An unsettling, roving novel about trauma and soldiering.

Pub Date: Jan. 24, 2019

ISBN: 978-1-5320-6415-9

Page Count: 286

Publisher: iUniverse

Review Posted Online: June 23, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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