One of the masters of contemporary fiction, Trevor (After Rain, 1996, etc.) keeps his typically level head as he quietly records two worlds in collision. Though on the surface it portrays a conflict of class, this straightforward novel also captures with equanimity the delusional world of the downtrodden and the emotionally stunted lives of the genteel rich. Trevor’s tight-lipped Englishman, Thaddeus Davenant, comes into his wealth through his loveless marriage to Letitia Iveson, a spinsterish librarian who admires Thaddeus’s attachment to his decaying family estate, and who, at story’s outset, dies in a bicycle accident. She leaves behind a six-month-old baby, Georgina, who elicits from the usually distrustful Thaddeus a love and devotion such as he’s shown no female before. All his passion has been spent on the —tattered grandeur— of Quincunx House, the family estate preserved by Thaddeus’s Polish mother even after the family fortunes declined. And once Thaddeus reluctantly agrees to allow his mother-in-law (and former enemy) to join them at Quincunx, trouble begins—not with her, but with one of the rejected nannies interviewed beforehand, an orphan girl named Pettie, who quickly develops an elaborate fantasy life involving the grieving widower and his darling child. Becoming the Davenants— stalker, Pettie ignores her best friend Albert, a fellow ex-resident of the orphanage, who discourages her increasingly elaborate scheme. Himself guileless and slow-witted, Albert baby-sits an elderly woman and scrubs graffiti off the walls of the Underground at night, fearing anything that threatens his —orderly nature.— It’s this very quality in Albert that prevents one tragedy (involving the baby) even as he witnesses another. Trevor’s narrative balancing act comes to a brilliant finish when Albert’s shaggy-dog ramblings encounter the good manners of Thaddeus and Mrs. Iveson. Trevor suggests character with the ease of a single gesture or detail, and his narrative instincts are, as usual, dead-on, providing just enough melodramatic intrigue to propel his studies in interior life.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88202-X

Page Count: 240

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 1998

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This anxiety-fueled stand-alone from Edgar nominee Gaylin (What Remains of Me, 2016, etc.) takes the gulf that naturally...


After a hit-and-run kills a high school student, the court of public opinion convicts a lonely outcast.

When Jackie Reed hears her 17-year-old son, Wade, sneaking out the night before the SATs, she knows she should stop him; instead, she pops a Xanax and returns to bed. At 4 a.m., Jackie’s 13-year-old, Connor, wakes to find a rain-soaked Wade hiding something in his closet; he considers tattling but promises to keep quiet. These seemingly innocuous decisions come back to haunt Jackie and Connor the next morning. While Officer Pearl Maze was working the graveyard shift at the Havenkill, New York, police department, Amy Nathanson burst through the door claiming to have been carjacked. According to Amy, her screams summoned 17-year-old Liam Miller, whom the thief ran over during his escape. The cops canvass the neighborhood for witnesses, and the Reeds are stunned to realize that Wade matches the suspect’s description. Evidence mounts against him, and the community ostracizes his family, but still Wade refuses to divulge his whereabouts at the time of the accident. The book opens with Wade’s suicide note, then flashes back five days and unfolds from the perspectives of Jackie, Connor, Pearl, and Amy. This narrative shift maximizes suspense by forcing readers to guess at Wade’s thoughts and actions, allowing Gaylin to insightfully explore the crime’s ripple effects.

This anxiety-fueled stand-alone from Edgar nominee Gaylin (What Remains of Me, 2016, etc.) takes the gulf that naturally develops between teenagers and their families and stocks it with sharks.

Pub Date: March 6, 2018

ISBN: 978-0-06-264111-3

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: Dec. 12, 2017

Kirkus Reviews Issue: Jan. 1, 2018

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Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...


A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.

Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.

Pub Date: April 2, 2019

ISBN: 978-1-5011-5101-9

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Feb. 19, 2019

Kirkus Reviews Issue: March 1, 2019

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