The Golden Chalice Of Hunahpu

A NOVEL OF THE SPANISH ATTACK ON THE MAYA

A historical novel about a Spanish conquistador’s invasion of Guatemala as narrated by three witnesses: a Mayan prince, the conquistador’s wife and a Dominican monk.
In 1524, Pedro de Alvarado entered Guatemala looking for riches; by 1529, he’d subdued the region, largely through wanton atrocities. This novel covers the period from Alvarado’s arrival through his death in 1541. The first narrator is Belehé, who tells the story of being a prince of the local Kaqchikel tribe and a longtime captive of the rival K’iché people. After he’s released, he rejoins his tribe, which is now allied with Alvarado against the K’iché. But the Spaniard’s excesses eventually lead the Kaqchikel to revolt and flee into the highlands. Belehé tells of the years just before and after Alvarado’s arrival, using the symbol-laden imagery of a culture with mysterious gods, and describes the destruction of his homeland in lyrical language (“And when they came, I was frightened, oh, my sons!...They came to warn us of the arrival of the gods”). The second narrator is Beatriz, Alvarado’s wife, whose tale is set during her husband’s governorship of Guatemala. As Spanish nobility, she looks down upon the natives while still recognizing their humanity. Her initial love for Alvarado turns to disgust as she sees what sort of man he is in the New World. The last narrator is Brother Domingo, whose superior, Father Bartolomé, is on a holy mission to convert the local natives. Domingo, torn between the duties of his faith and his own earthly needs, relates the last years of Alvarado’s life as the conquistador goes farther afield in search of glory and gold. Vlach, a practicing psychologist, has clearly done his research for this debut novel; the historical detail is impressive and the settings are vivid and realistic. However, the story doesn’t effectively build toward any sort of climax, which is unfortunate, given the rich material. There are also a few minor slip-ups: Meters are used as measures of distance about 150 years too early, the passage of time is hard to gauge, and the Spanish political situation could have been clearer.

An often enthralling look into a little-known period of history, but one that lacks the dramatic structure for maximum impact.

Pub Date: Jan. 28, 2012

ISBN: N/A

Page Count: 246

Publisher: CreateSpace

Review Posted Online: Nov. 10, 2014

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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