More a cute collectible for established fans than a children’s book that invites new curiosity.
This story of how siblings Willie and Bobbie Nelson became lifelong musical partners focuses on how the two grew up together in Abbott, Texas.
Many fans know the story of the redheaded stranger Willie Nelson, the songwriter and performer who, at age 88, continues to perform and release music. But far fewer know the story of Nelson’s sister, Bobbie, a pianist and gifted singer who has played with her brother since the two were young children. “My first piano was one we made from cardboard, with a keyboard drawn in crayon,” Bobbie says in the alternating narration. “We loved music. Music loved us back. It provided for us and protected us and supported our family’s soul,” Willie says. The family’s rural life is portrayed as loving and idyllic as the two are raised by their grandparents until their grandfather dies. From there it’s a short, abrupt journey from playing in church and in front of their first crowds to playing to huge audiences, as shown in a collection of ticket stubs that bookend the storybook. This picture book feels disconnected from its putative child audience. By softening rough edges and by focusing only on the siblings’ childhood, the story pins itself to an old-fashioned past. The serviceable illustrations that seem intentionally faded and muted likewise don’t concede much to a modern kid audience. (This book was reviewed digitally.)
More a cute collectible for established fans than a children’s book that invites new curiosity. (Picture book/memoir. 3-7)Pub Date: Nov. 9, 2021
ISBN: 978-1-984851-83-3
Page Count: 32
Publisher: Doubleday
Review Posted Online: July 13, 2021
Kirkus Reviews Issue: Aug. 1, 2021
A syrupy tribute to mothers that may please fans of the series.
Another creature is on the loose.
The long-running series continues its successful formula with this Hallmark card of a book, which features bright illustrations and catchy rhymes. This time, the mythical creature the racially diverse children set out to catch is an absent mom who does it all (lists of descriptors include the words banker, caregiver, nurse, doctor, driver, chef, housekeeper, teacher, entertainer, playmate, laundry service, problem solver, handywoman, cleaner, and alarm clock) but doesn’t seem to have a job outside the home and is inexplicably a dinosaur. As the children prepare gifts and a meal for her, the text becomes an ode to the skills the Mamasaurus possesses (“Day or night she’s always there. / She meets every wish and need”) and values she instills (“Sometimes life can mean hard work,” “kindness matters,” and “what counts is doing your best”). This well-intentioned selection veers into cliche generously sprinkled with saccharine but manages to redeem itself with its appreciation for mothers and all that they may do. Endpapers include a “to” and “from” page framed in a heart, as well as a page where young gift givers or recipients can draw a picture of their Mamasaurus.
A syrupy tribute to mothers that may please fans of the series. (Picture book. 3-6)Pub Date: March 5, 2024
ISBN: 9781728274300
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
