The British siege of St. Augustine in 1702 is dramatized, but unfortunately never animated, through the experience of Juan Olfonso whose father has sailed to Havana to summon a rescue fleet. There are several occasions when Juan's individuality shines through--once when he is nearly captured by a hostile Indian while outside the fort, and again when he carves a wooden madonna to symbolically replace the statue that has been burned with his home. But for the most part the siege exists in a kind of limbo--with neither Juan's personal adventure nor the historical significance of the confrontation ever emerging from the shadows. Of limited, perhaps local, interest.