by Wini Breines ‧ RELEASE DATE: June 1, 1992
In a ``sociological memoir'' based on novels, films, sociological studies, and personal experience, Breines (Sociology/Northeastern Univ.) traces the origins of the feminist movement in the 60's to the underlying discontents and conflicts experienced by women growing up in the 50's—a scenario that she explored politically in Community and Organization in the New Left, 1962-68 (1982—not reviewed). Breines characterizes the white middle class of the postwar period as affluent, materialistic, optimistic, family-oriented, conformist, and fearful of blacks, communists, sexual and social deviance (homosexuality and juvenile delinquency), and the Bomb and female sexuality (the bikini bathing suit, named after the nuclear testing site, symbolizes to Breines the destructive power of both). Women living within this culture, the author says, experienced particular conflicts, being ideologically conditioned to pursue marriage, motherhood, companionship even while they enjoyed opportunities for education, meaningful work, sexual expression, and romance. The author derives this characterization from such male-oriented sociological works as The Lonely Crowd, The Organization Man, and A Generation of Vipers. From the feminine perspective, she describes the dynamics of the mythical 50's family, the necessary illusions, the sexual disillusions, the courting rituals, and the allure for young women like herself of alternate cultures—the artistic underground of the Beats, jazz, and Greenwich Village, the appeal of blacks, delinquents, and sexual experimentation. In a moving but only tangentially relevant chapter, she offers as a case study the brief unhappy life of Anne Parsons—daughter of radical sociologist Talcott Parsons—who committed suicide in 1964 at age 33, defeated by a male-dominated mental-health system and by cultural stereotypes that exclude intellectual unmarried women. Breines successfully evokes the intellectual and cultural milieu of white middle-class East Coast women who dominated the women's movement in the Sixties; if her study is flawed by limiting itself to that group, it's still otherwise thoughtful and jargon- free.
Pub Date: June 1, 1992
ISBN: 0-8070-7502-7
Page Count: 288
Publisher: Beacon Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1992
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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