An important if sometimes-awkward study of two scientists who helped to change the world.
“Radioactivity was the first new property of matter discovered since Sir Isaac Newton defined the law of gravity in 1686,” and the work of Irène Curie and Lise Meitner in the early 20th century helped to open the door to modern physics.
Irène Curie was the firstborn child of the world’s “ ‘First Family’ of science.” Lise Meitner was the daughter of a Jewish lawyer in Vienna and a victim of Hitler’s anti-Semitic policies. Curie and Meitner, working independently, were research rivals, each seeking a name in the field of theoretical physics that was about to change the world. Conkling discusses the two scientists separately, Curie in the first several chapters, Meitner in the next several, and their stories come together in a final section when the race to create an atomic bomb was on. It’s an uneasy blend of biographies, though astute readers will see that it’s the science itself that links the stories, not a personal connection between Curie and Meitner. Readers interested in a more succinct and compelling look at Meitner’s work on fission than what’s presented here will find it in Steve Sheinkin’s Bomb (2012). Flat writing and too many pages of dense text unrelieved by photographs or other visuals mar a volume that might have been suspenseful.
An important if sometimes-awkward study of two scientists who helped to change the world. (timeline, glossary, who’s who, chapter notes, bibliography, for more information, index) (Nonfiction. 12-16)Pub Date: Jan. 5, 2016
ISBN: 978-1-61620-415-0
Page Count: 240
Publisher: Algonquin
Review Posted Online: Sept. 15, 2015
Kirkus Reviews Issue: Oct. 1, 2015
In either iteration, a provocative counter to conventional, blinkered views of our national story.
A classic framing of this country’s history from a multicultural perspective, clumsily cut and recast into more simplified language for young readers.
Veering away from the standard “Master Narrative” to tell “the story of a nation peopled by the world,” the violence- and injustice-laden account focuses on minorities, from African- Americans (“the central minority throughout our country’s history”), Mexicans and Native Americans to Japanese, Vietnamese, Sikh, Russian Jewish and Muslim immigrants. Stefoff reduces Takaki’s scholarly but fluid narrative (1993, revised 2008) to choppy sentences and sound-bite quotes. She also adds debatable generalizations, such as a sweeping claim that Native Americans “lived outside of white society’s borders,” and an incorrect one that the Emancipation Proclamation “freed the slaves.” Readers may take a stronger interest in their own cultural heritage from this broad picture of the United States as, historically, a tapestry of ethnic identities that are “separate but also shared”—but being more readable and, by page count at least, only about a third longer, the original version won’t be out of reach of much of the intended audience, despite its denser prose.
In either iteration, a provocative counter to conventional, blinkered views of our national story. (endnotes, glossary, index) (Nonfiction. 12-15)Pub Date: Aug. 28, 2012
ISBN: 978-1-60980-416-9
Page Count: 368
Publisher: Seven Stories
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Even rabid fans of Lennon or the 1960s will find new information and angles in this searching study.
On the verge of her 80th birthday (Feb. 18, 2013), Ono steps out of her iconic late husband’s shadow for a sympathetic profile.
The authors present her as a groundbreaking creative artist whose work has been misunderstood, not to say derided, for decades and who was unjustly vilified as the woman who broke up the Beatles. They describe a comfortable upbringing in Japan and the United States, childhood experiences in World War II and artistic development as part of New York’s avant-garde scene in the 1950s and early ’60s. The book goes on to chronicle her relationships with various husbands, including “soul mate” John Lennon, and her two children, life as a peace-activist celebrity in the ’70s, and (in much less detail) her activities, honors and exhibitions after Lennon’s death. The account is occasionally trite (“Yoko and John were stressed to the max”) or platitudinous, and it’s unlikely to persuade younger (or any) readers to appreciate Yoko’s creations—which run to works like an 80-minute film of naked rumps walking by and sets of chess pieces that are all the same color—as great art. Nevertheless, it does impart a good sense of conceptual and performance art’s purposes and expressions along with a detailed portrait of a complex woman who for several reasons has a significant place in our cultural history.
Even rabid fans of Lennon or the 1960s will find new information and angles in this searching study. (photos, timeline to 2009, resource lists) (Biography. 12-15)Pub Date: Jan. 1, 2013
ISBN: 978-1-4197-0444-4
Page Count: 184
Publisher: Amulet/Abrams
Review Posted Online: Nov. 30, 2012
Kirkus Reviews Issue: Dec. 15, 2012
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