A novel offers a dramatization of the life of a groundbreaking Italian architect.
In 1899, Pietro Belluschi is born in Ancona, “the Elbow” of Italy, a town that seems fossilized in the amber of history. (“The town got its name from ankón, Greek for elbow.”) His family moves to Rome when he is a young boy. He is stirred by the city’s cultural and artistic treasures but aspires to achieve something new and impactful, “to do something, to really shake things up, contribute to society.” After he’s wounded in World War I, he studies engineering at the University of Rome—it’s the only course of study that prominently figures drawing, his love. He wins a scholarship to study architecture at Cornell University in upstate New York. Belluschi eventually lands a job as a draftsman at A.E. Doyle & Associates, an inauspicious professional start. But he makes a reputation for himself, especially for designing the Equitable Building in Portland, Oregon, a striking structure wrapped in aluminum and among the first to be completely air conditioned. Unfortunately, the Pan Am building in New York City, his most iconic work, is subject to a “storm of criticism” and makes him something of a pariah in his field. Parker vividly brings to life Belluschi’s ambitions, which seem less driven by a specific artistic ideology and more by an unyielding attentiveness to the demands of his clients. Nevertheless, his artistic vision is a distinctively modern one, driven by a desire for functionality and the pragmatic exploitation of technology. The author’s prose is unfailingly lucid, if dramatically unliterary—often the book reads less like a novel than a biography. Still, Belluschi’s remarkable combination of pragmatism and artistic ambition is intelligently rendered, as is the historical context, especially the 20th-century development of architectural ideas. This is an informative introduction not only to Belluschi’s important work, but also the state of modern architecture.
An edifying look at a major architect and the time he inhabited.