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THE SORCERER QUEEN

Bringing love and unity to a broken land finds beautiful expression in this engaging fable.

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This YA fairy tale describes in verse the story of an old curse that must be undone by righting wrongs.

In a fictional world similar to medieval Europe, Caravaille’s monarch rules so wisely that he’s known as King Sagan “the Fair,” but all is not well in his realm. Ninety-two years ago, Merk the Fierce, Sagan’s ancestor, stole the throne by killing King Daemon. Daemon’s dying wife, Queen Oriana, cursed Merk’s line for “three score years and more” with succession problems that would always lead to war and chaos. The aging Sagan, who has no son, wants to choose an heir among his three nephews, hoping the curse will have expired by now. Javan is the bravest warrior; Cadmon is kind and just; Sky is wise. Sagan’s adviser Lord Shin recommends careful study of Oriana’s entire curse, as does Zagir, an ancient sorcerer queen and the oldest person in Caravaille. Sagan earnestly tries to follow this advice, but each attempt to name an heir results in interference by mysterious animals (kestrel, cat, and wolf) who wreck the kingdom’s ancient symbols of royal rule. These can be repaired only by goldspun weaving, an art lost with Oriana’s death. The sorcerer queen holds the key to restoring this practice and the kingdom’s unity, if the right person can divine the truth. Michaels (The Alchemy of Illuminated Poetry, 2017, etc.) uses quatrains rhyming ABCB, which gallop along at an effective pace. The rhymes work well and can sometimes be quite clever: Sagan “found himself bemused, befuddled / By the utter lack of deference, / The experience being quite outside / His lifelong frame of reference.” Also striking are the characters’ struggles to interpret the curse—is it a metaphor or what? Fairy-tale elements like a three-part structure and animal helpers provide appeal, while the story also benefits from an original take on the who-will-inherit question. The book is handsome, with appealing typography and illustrations by the author that enhance the tale’s medieval/Elizabethan flavor.

Bringing love and unity to a broken land finds beautiful expression in this engaging fable.

Pub Date: Aug. 28, 2018

ISBN: 978-1-941067-03-1

Page Count: 262

Publisher: Alcabal Press, LLC

Review Posted Online: July 29, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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