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PICKING TURNIPS

An ambitious but not entirely successful reboot of a familiar favorite.

A little mouse’s “uncle’s uncle’s uncle” is the source of a lightly fractured version of Tolstoy’s “The Gigantic Turnip.”

As the familiar story unfolds, an alternative is presented by some mice tunneling beneath the large turnip that the usual characters—a white-haired grandfather and grandmother, a grandson (in the original, a granddaughter), a puppy, a kitten, and one lone mouse—are trying to pull out of the ground. The soft watercolor paintings have been “adjusted” by Adobe Photoshop. The full-color paintings on white paper with a ripped bottom edge telling the traditional story have been “taped” at the top of rough brown paper with irregular side edges, within which the mouse story plays out. The human characters are light-skinned, and Grandson has black hair. Beneath, the mice and two moles in the tunnel are mostly painted in shades of brown, except for the gray mouse (the “uncle’s uncle’s uncle”) who leaves his friends to help the humans up top. The text is very simple, but the English punch line (“Let’s juice this baby!”) feels jarringly contemporary. A Simplified Chinese edition of the story publishes simultaneously, with simplified characters and transliterated text directly above the characters as well as a closing glossary. Thumbnails of the spreads and the English text are reproduced in the backmatter in a design that does not do justice to the parallel stories.

An ambitious but not entirely successful reboot of a familiar favorite. (Picture book. 3-6)

Pub Date: Dec. 1, 2016

ISBN: 978-1-945-29526-3

Page Count: 40

Publisher: Candied Plums

Review Posted Online: Nov. 1, 2016

Kirkus Reviews Issue: Nov. 15, 2016

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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RUBY FINDS A WORRY

From the Big Bright Feelings series

A valuable asset to the library of a child who experiences anxiety and a great book to get children talking about their...

Ruby is an adventurous and happy child until the day she discovers a Worry.

Ruby barely sees the Worry—depicted as a blob of yellow with a frowny unibrow—at first, but as it hovers, the more she notices it and the larger it grows. The longer Ruby is affected by this Worry, the fewer colors appear on the page. Though she tries not to pay attention to the Worry, which no one else can see, ignoring it prevents her from enjoying the things that she once loved. Her constant anxiety about the Worry causes the bright yellow blob to crowd Ruby’s everyday life, which by this point is nearly all washes of gray and white. But at the playground, Ruby sees a boy sitting on a bench with a growing sky-blue Worry of his own. When she invites the boy to talk, his Worry begins to shrink—and when Ruby talks about her own Worry, it also grows smaller. By the book’s conclusion, Ruby learns to control her Worry by talking about what worries her, a priceless lesson for any child—or adult—conveyed in a beautifully child-friendly manner. Ruby presents black, with hair in cornrows and two big afro-puff pigtails, while the boy has pale skin and spiky black hair.

A valuable asset to the library of a child who experiences anxiety and a great book to get children talking about their feelings (. (Picture book. 4-6)

Pub Date: Sept. 3, 2019

ISBN: 978-1-5476-0237-7

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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