by Yael Hedaya & translated by Jessica Cohen ‧ RELEASE DATE: Oct. 26, 2010
A graceful exploration of loneliness, “their true covenant,” and the worm that gnaws at the heart of all things.
Call it Peyton Place with Uzis: Israeli novelist Hedaya finds the worm in an exceedingly shiny apple.
Best known for writing the Israeli TV series and HBO import In Treatment, Hedaya shows a marked fascination in the way people think—or, often, fail to think. Of one character, Alona, he writes, by way of example, “Her mind had wandered to two different places, as if she were walking two dogs, each pulling in the opposite direction.” Alona has reason to be confused. Like the other residents of the gated community of Eden, a place set off from the lesser denizens of Israeli society but not entirely free of them, she’s a mess: her soon-to-be-ex-husband is always around; one of her teenage kids is a budding sexpot and boozer in training; and her other kid wallows in depression. Or maybe not. “He’s not depressed, says Mark, her estranged spouse. "On the contrary, Alona, he’s flourishing. You just can’t see it.” Mark’s got troubles of his own, but at least the Italian restaurant he recently opened “at the edge of the moshav, right in the woods, on land the council had agreed to lease to him practically for free” has a chance of surviving. Daughter Roni, on the other hand, seems bent on self-destruction, though she harbors a not-so-secret desire to get pregnant. So does Dafna, their neighbor, who has tried every method of fertilization that science has to offer. And so it is in Eden, a place of intertwining lives founded by Holocaust survivors as a socialist farming collective, now devolved into a California-style sea of one- and two-story pastel bungalows and mini-mansions, where nothing much happens—but when it does, it speaks to the baser instincts of humans. Just so, Hedaya’s novel moves from page to page without much action but with plenty of mutual misunderstanding and miscommunication—
the very stuff, in other words, of life.
Pub Date: Oct. 26, 2010
ISBN: 978-0-8050-9265-3
Page Count: 496
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 30, 2010
Kirkus Reviews Issue: Sept. 15, 2010
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by Yael Hedaya & translated by Jessica Cohen
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by Yael Hedaya & translated by Dalya Bilu
by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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by Donna Tartt
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by Donna Tartt
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by John Steinbeck ‧ RELEASE DATE: Feb. 26, 1936
Steinbeck is a genius and an original.
Steinbeck refuses to allow himself to be pigeonholed.
This is as completely different from Tortilla Flat and In Dubious Battle as they are from each other. Only in his complete understanding of the proletarian mentality does he sustain a connecting link though this is assuredly not a "proletarian novel." It is oddly absorbing this picture of the strange friendship between the strong man and the giant with the mind of a not-quite-bright child. Driven from job to job by the failure of the giant child to fit into the social pattern, they finally find in a ranch what they feel their chance to achieve a homely dream they have built. But once again, society defeats them. There's a simplicity, a directness, a poignancy in the story that gives it a singular power, difficult to define. Steinbeck is a genius and an original.Pub Date: Feb. 26, 1936
ISBN: 0140177396
Page Count: 83
Publisher: Covici, Friede
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Feb. 1, 1936
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by John Steinbeck & edited by Thomas E. Barden
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by John Steinbeck & edited by Robert DeMott
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by John Steinbeck & edited by Susan Shillinglaw & Jackson J. Benson
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