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ON THESE MAGIC SHORES

A redoubtable protagonist in a good storyline that doesn’t quite deliver.

When Mamá fails to return home after her evening job, it is up to 12-year-old Minerva Soledad Miranda to take care of her younger sisters and hold the family together.

The family lives in a moldy basement apartment, and Mamá works two jobs and dresses the girls in hand-me-downs. In spite of the obstacles, Minerva has her life all figured out. The Argentine American seventh grader will be “the first Latina president of the United States.” And the first step to that goal is to get the lead role in Peter Pan, the school play. But nothing is working out. First, and most importantly, Mamá has gone missing. Then, brown-skinned Minerva gets the role of Tiger Lily, a character with only one line—“how”—and one that Minerva finds offensive to Native Americans, prompting her to take action. As the book progresses, Méndez tackles problems of racism, discrimination, income inequality, immigration, and ethnic and cultural stereotypes. All are real, true, and valid points, but they are laid out with such a heavy hand as to grow preachy, causing the book’s balance to tip from story to lesson. Mamá’s absence works well as a device to allow Minerva to come to the fore, but her reappearance and the explanation for her disappearance feel contrived. Nevertheless, there is still much to like, and readers will find a strong and resilient character they can root for in this story.

A redoubtable protagonist in a good storyline that doesn’t quite deliver. (Fiction. 8-12)

Pub Date: June 9, 2020

ISBN: 978-1-64379-031-2

Page Count: 288

Publisher: Tu Books

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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WORDS WITH WINGS

An inspirational exploration of caring among parent, teacher and child—one of Grimes’ best. (Poetry. 8-12)

In this delightfully spare narrative in verse, Coretta Scott King Award–winning Grimes examines a marriage’s end from the perspective of a child.

Set mostly in the wake of her father’s departure, only-child Gabby reveals with moving clarity in these short first-person poems the hardship she faces relocating with her mother and negotiating the further loss of a good friend while trying to adjust to a new school. Gabby has always been something of a dreamer, but when she begins study in her new class, she finds her thoughts straying even more. She admits: “Some words / sit still on the page / holding a story steady. / … / But other words have wings / that wake my daydreams. / They … / tickle my imagination, / and carry my thoughts away.” To illustrate Gabby’s inner wanderings, Grimes’ narrative breaks from the present into episodic bursts of vivid poetic reminiscence. Luckily, Gabby’s new teacher recognizes this inability to focus to be a coping mechanism and devises a daily activity designed to harness daydreaming’s creativity with a remarkably positive result for both Gabby and the entire class. Throughout this finely wrought narrative, Grimes’ free verse is tight, with perfect breaks of line and effortless shifts from reality to dream states and back.

An inspirational exploration of caring among parent, teacher and child—one of Grimes’ best. (Poetry. 8-12)

Pub Date: Sept. 1, 2013

ISBN: 978-1-59078-985-8

Page Count: 96

Publisher: Wordsong/Boyds Mills

Review Posted Online: July 16, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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THE NEWSPAPER CLUB

From the Newspaper Club series , Vol. 1

Nellie Bly’s contemporary namesake does her proud.

Eleven-year-old Nellie’s investigative reporting leads her to solve a mystery, start a newspaper, and learn key lessons about growing up.

Nellie’s voice is frank and often funny—and always full of information about newspapers. She tells readers of the first meeting of her newspaper club and then says, “But maybe I’m burying the lede…what Dad calls it when a reporter puts the most interesting part…in the middle or toward the end.” (This and other journalism vocabulary is formally defined in a closing glossary.) She backtracks to earlier that summer, when she and her mother were newly moved into a house next to her mother’s best friend in rural Bear Creek, Maine. Nellie explains that the newspaper that employed both of her parents in “the city” had folded soon after her father left for business in Asia. When Bear Creek Park gets closed due to mysterious, petty crimes, Nellie feels compelled to investigate. She feels closest to her dad when on the park’s swings, and she is more comfortable interviewing adults than befriending peers. Getting to know a plethora of characters through Nellie’s eyes is as much fun as watching Nellie blossom. Although astute readers will have guessed the park’s vandalizers, they are rewarded by observing Nellie’s fact-checking process. A late revelation about Nellie’s father does not significantly detract from this fully realized story of a young girl adjusting admirably to new circumstances. Nellie and her mother present white; secondary characters are diverse.

Nellie Bly’s contemporary namesake does her proud. (Fiction. 8-12)

Pub Date: March 10, 2020

ISBN: 978-0-7624-9685-3

Page Count: 208

Publisher: Running Press

Review Posted Online: Nov. 23, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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