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INSIDE GORBACHEV'S KREMLIN

THE MEMOIRS OF YEGOR LIGACHEV

Fascinating and unusually (though not completely) frank insider's account of Kremlin politics during the Gorbachev era. Ligachev, Gorbachev's former deputy, comes off here as both more interesting and more complicated than the conventional picture of him as the ``arch villain'' of the democratization process. As Stephen Cohen says in his valuable introduction, even political figures loyal to Gorbachev have characterized Ligachev as being ``deeply sincere, proudly incorruptible, and habitually straightforward in his political relations.'' One indication of this was Ligachev's relegation for 17 years to the Party organization in Siberia. He was recalled to Moscow in 1983 by Andropov and seems sincerely to have shared Gorbachev's vision of a reformed Communism, in part because his own and his wife's families suffered severely under Stalin. Ligachev testifies to the general acceptance by the bureaucracy of the need for reform. He was deeply impressed by Gorbachev, he says, but at some fairly early stage, Gorbachev went further than Ligachev thought appropriate. Time and again, Ligachev returns to the question of what caused Gorbachev's downfall. Was it the Soviet premier's attraction to the aura of the ``enlightened monarch''? Was it a lack of practicality, or was it that Gorbachev was surrounded by those who, in Ligachev's view, deliberately led him astray? Ligachev says that he repeatedly tried to persuade Gorbachev of the coming debacle, sometimes with biting humor. Of one of his letters to Gorbachev, he says here that ``under Stalin, you would have lost your head for a letter like that. Under Khrushchev, you would have been fired. Under Brezhnev, you would have been made an Ambassador to Africa. And under Gorbachev, you were simply ignored.'' Ligachev doesn't go into the history of the attempted coup, and he often seems trapped by rhetoric—e.g., attacking ``slander'' against the Party. Still: a valuable contribution to the history of the period, and an absorbing self-portrait. (B&w photos—not seen.)

Pub Date: Feb. 1, 1993

ISBN: 0-679-41392-8

Page Count: 416

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1992

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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