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COOLIES

As a boy and his grandmother celebrate the Ching Ming Festival, a holiday honoring one’s ancestors, the grandmother tells the story of her great-grandfather, Shek, who came from China to California in 1865 to work on the transcontinental railroad. Shek and his little brother Wong endured the two-month trip to America and immediately signed up with the Central Pacific Railroad Company to work as laborers. The Chinese workers, known derogatorily as “coolies,” from a Chinese word meaning “bitter labor,” were paid less than their European counterparts and were often given the most dangerous jobs, those involving explosives, for example, and were forced to work in terrible weather conditions. (The author’s note informs the reader that thousands of Chinese laborers died while working on the railroad.) Shek and the other Chinese workers tried to stand up for themselves by staging a strike, but were forced to back down before any of their demands were met. Even when the railroad’s completion is celebrated, the importance of the Chinese laborers is ignored. After four years on the railroad, Shek and Wong used their earnings to open a store in San Francisco and eventually brought the rest of their family over to the US. Soentpiet’s signature glowing watercolors bathe the images with light. The pictures of big scenes—the teeming shipyard, the crowded living quarters on the ship, a campfire surrounded by snow-covered mountains, a busy San Francisco street—are striking and grand. The design—each double-page spread laid out with ¾ of the page as illustration while the ¼ on the left holds the text in a box—allows for a fuller view of the sweeping scenes. This is an important story, full of drama and emotion and it is here given its proper recognition and tribute in both words and glorious art. Perhaps it will encourage other grandparents to share their family history as well. Masterful. (Picture book. 6-10)

Pub Date: Feb. 1, 2001

ISBN: 0-399-23227-3

Page Count: 40

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2001

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THE ADVENTURES OF HENRY WHISKERS

From the Adventures of Henry Whiskers series , Vol. 1

Innocuous adventuring on the smallest of scales.

The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.

In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).

Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)

Pub Date: Jan. 3, 2017

ISBN: 978-1-4814-6575-5

Page Count: 144

Publisher: Aladdin

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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LOVE IN THE LIBRARY

An evocative and empowering tribute to human dignity and optimism.

This story, inspired by the author’s grandparents, celebrates love blooming in the desert during a time of extreme duress.

In a World War II incarceration camp for Japanese Americans, two young people find respite in one another. In Minidoka, families are crowded together, enduring harsh weather, barbed wire fences, the intimidating scrutiny of White armed guards, and the stress of unjust imprisonment. Book lover Tama finds solace volunteering in the camp library, where she is visited daily by George, a handsome young man with a seemingly insatiable appetite for reading. Tama, who revels in the power of words, struggles to name her overwhelming feelings. George’s reassurance that she is only human opens the door to love, marriage, and the birth of their first child in camp, a bubble of happiness in the midst of struggle. The gentle text shows how, no matter how bleak the outlook, people can find ways to hope, dream, and endure. An author’s note fills in some background on the real Tama and George Tokuda and connects their story to the many other American communities who experience racism but nevertheless claim joy. Imamura’s soft, exquisite illustrations capture the physical locale, using light and shadow in powerful ways. The 1940s setting comes to life with loving care in details of the decor and characters’ clothes.

An evocative and empowering tribute to human dignity and optimism. (Picture book. 7-10)

Pub Date: Jan. 11, 2022

ISBN: 978-1-5362-0430-8

Page Count: 40

Publisher: Candlewick

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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