Next book

MATILDA AND HANS

Sophistication of illustrations aside, it is essentially a one-joke tale that will leave readers and listeners wondering...

First published in the U.K. in 2012 as Hans and Matilda, this quirky import combines minimal text, an odd twist and charmingly childlike pictures to create a brief (a)morality tale.

Matilda, an anthropomorphic cream-colored cat dressed in a red-and-white polka-dot dress leads a blameless, if somewhat boring, life. Hans, meanwhile, is also cream-colored, though he sports black whiskers. Unlike Matilda, Hans lives to misbehave. While Matilda spends her days reading, gardening and tidying, Hans plays tricks and commits vandalism. When Matilda sees a wanted poster promising a big reward, she decides to turn Hans in. Whether she earns the reward is not revealed, but her behavior and Hans’ certainly change as a result of her decision. Yokococo uses short, simple sentences to convey the action. Her mixed-media–and-watercolor illustrations have clean lines and appear to mirror the simplicity of the text. Closer examination, however, reveals that not only have a limited palette and matte paper been used for Hans’ adventures, but Matilda’s more colorful scenes appear to have been created on textured paper. This difference effectively prevents readers from predicting the plot twist while also emphasizing the cozy feel of Matilda’s environment.

Sophistication of illustrations aside, it is essentially a one-joke tale that will leave readers and listeners wondering what the point is—if any—yet still isn’t likely to stir up much real interest. (Picture book. 3-6)

Pub Date: May 14, 2013

ISBN: 978-0-7636-6434-3

Page Count: 32

Publisher: Templar/Candlewick

Review Posted Online: March 12, 2013

Kirkus Reviews Issue: April 1, 2013

Next book

I'LL LOVE YOU FOREVER

Parent-child love and affection, appealingly presented, with the added attraction of the seasonal content and lack of gender...

A polar-bear parent speaks poetically of love for a child.

A genderless adult and cub travel through the landscapes of an arctic year. Each of the softly rendered double-page paintings has a very different feel and color palette as the pair go through the seasons, walking through wintry ice and snow and green summer meadows, cavorting in the blue ocean, watching whales, and playing beside musk oxen. The rhymes of the four-line stanzas are not forced, as is the case too often in picture books of this type: “When cold, winter winds / blow the leaves far and wide, / You’ll cross the great icebergs / with me by your side.” On a dark, snowy night, the loving parent says: “But for now, cuddle close / while the stars softly shine. // I’ll always be yours, / and you’ll always be mine.” As the last illustration shows the pair curled up for sleep, young listeners will be lulled to sweet dreams by the calm tenor of the pictures and the words. While far from original, this timeless theme is always in demand, and the combination of delightful illustrations and poetry that scans well make this a good choice for early-childhood classrooms, public libraries, and one-on-one home read-alouds.

Parent-child love and affection, appealingly presented, with the added attraction of the seasonal content and lack of gender restrictions. (Picture book. 3-6)

Pub Date: Sept. 1, 2017

ISBN: 978-1-68010-070-9

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: July 1, 2017

Kirkus Reviews Issue: July 15, 2017

Next book

YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

Close Quickview