Though the book’s approach is entertaining, its message is nonetheless urgent.

THE CARTOON INTRODUCTION TO CLIMATE CHANGE

An often amusing graphic primer about an issue the authors recognize as apocalyptically serious.

If alarmism proves polarizing where global warming is concerned, maybe humor can bridge the divide and build a consensus. Such would seem to be the strategy of Bauman, who bills himself as “the world’s first and only standup economist,” and cartoonist Klein; both collaborated on The Cartoon Introduction to Economics (two volumes, 2010 and 2011). The authors admit that there have long been wild fluctuations in climate before there was any ecological concern, that human activity is only part of the issue and that the doomsday scenario that some find inevitable is in fact uncertain. Having established a tone of moderation, invoking scientific method rather than ideology, Bauman and Klein nonetheless reinforce the realities of global warming, fossil fuels and greenhouse gases as potentially catastrophic. “The key fact about business as usual is that it would make [carbon dioxide] emissions explode,” they write, while softening the punch with an analogy involving China and cakes (a guitarist and feedback feature prominently elsewhere). Projecting through the century, “[u]nder business as usual emissions could rise 250%...pushing atmospheric [carbon dioxide] concentrations up near 1000 ppm.” The perspective of “environmental economics” distinguishes this analysis from that of a natural scientist or an environmental ideologue, for the authors insist from the start that economic growth, particularly in Asia and Africa, will be a dominant theme throughout the century (and a positive force) but that the profound environmental impact of all that growth is likely to accelerate climate change, unless the world at large faces the problem and its implication and arrives at consensus that might slow the process.

Though the book’s approach is entertaining, its message is nonetheless urgent.

Pub Date: June 5, 2014

ISBN: 978-1-61091-438-3

Page Count: 224

Publisher: Island Press

Review Posted Online: May 8, 2014

Kirkus Reviews Issue: May 15, 2014

Did you like this book?

No Comments Yet

An erudite and artful, though frustratingly restrained, look at Old Testament stories.

THE BOOK OF GENESIS ILLUSTRATED

The Book of Genesis as imagined by a veteran voice of underground comics.

R. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesis—drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)—and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a “straight illustration job, with no intention to ridicule or make visual jokes.” But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarely—as with the destruction of Sodom and Gomorrah—does Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author’s respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb’s immense talents as a draftsman and stubborn adherence to the script.

An erudite and artful, though frustratingly restrained, look at Old Testament stories.

Pub Date: Oct. 19, 2009

ISBN: 978-0-393-06102-4

Page Count: 224

Publisher: Norton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2009

Did you like this book?

No Comments Yet

A quirky wonder of a book.

WHY FISH DON'T EXIST

A STORY OF LOSS, LOVE, AND THE HIDDEN ORDER OF LIFE

A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.

Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.

A quirky wonder of a book.

Pub Date: April 14, 2020

ISBN: 978-1-5011-6027-1

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: Jan. 2, 2020

Kirkus Reviews Issue: Feb. 1, 2020

Did you like this book?

more