Sensitive, restrained—but festive too…with a closing note that China has over 100 million migrant workers, many separated...

A NEW YEAR'S REUNION

A CHINESE STORY

Chinese New Year brings a young family joyously but all-too-briefly back together in this poignant import.

Little Maomao knows only that her father “builds big houses in faraway places” and comes home just for New Year. Though she hardly recognizes the shaggy figure at the door, by the time he’s given her and her mother gifts, gotten a haircut and a shave and made sticky rice balls (one with a lucky coin in the middle just for her) they’re an inseparable pair—repairing the windows and roof together and watching dragon dancers march past. The next day brings a round of play with friends in the snow, and the day after that Daddy packs up his rolling suitcase to leave again. In Zhu’s paintings Maomao looks a bit too young for lines like “Excellent! Mama never allows me up [on the roof] alone!” but simple patterns and bright red highlights give the inside and outside settings a particularly inviting look, and the artist captures the emotional backdrop with delicate clarity in her figures’ postures and expressions.

Sensitive, restrained—but festive too…with a closing note that China has over 100 million migrant workers, many separated from their families except during the holiday .(Picture book. 6-8)

Pub Date: Dec. 27, 2011

ISBN: 978-0-7636-5881-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Sept. 19, 2018

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Produced to celebrate the National Park Service’s upcoming centenary, a breezy invitation to prospective travelers to “get...

OUR GREAT BIG BACKYARD

A family road trip through several national parks transforms young Jane’s feelings about missing out on a summer of online fun with her friends.

“There’s absolutely nothing to see here,” Jane emails fretfully as her family drives through the scenic Smoky Mountains and canoes past alligators and manatees in the Everglades. But once her dad gets her to put the tablet away and look through a telescope at the night skies over Big Bend National Park, her attitude transforms: “OH WOW!” Soon she’s tiptoeing over the Grand Canyon’s Skywalk like an acrobat, playing pirate on a raft down the Colorado River, scouting out “Mountain lions, buffalo, and bears. Oh my!” in Yellowstone—and, discovering that she’s misplaced her electronic device, sending written postcards to her friends from Yosemite. Furthermore, once back home, what better way to debrief than a backyard cookout under the stars? Giving blonde Jane and the rest of her white family broad, pleasant features, Rogers sends them smiling and singing their way through a succession of natural wonders, with bears and bald eagles, footnotes (adult supervision required on the Skywalk, for instance), and only a few fellow, occasionally diverse tourists in the background. Endpaper maps track the long itinerary, and a (select) list of other national parks and sites in each state offers more destinations.

Produced to celebrate the National Park Service’s upcoming centenary, a breezy invitation to prospective travelers to “get out there!” (Picture book. 6-8)

Pub Date: May 10, 2016

ISBN: 978-0-06-246835-2

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: May 4, 2016

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Lovely and evocative, just the thing to spark an interest in the original and its sequels—and the upcoming film sequel, Mary...

MARY POPPINS

Refined, spit-spot–tidy illustrations infuse a spare adaptation of the 1934 classic with proper senses of decorum and wonder.

Novesky leaves out much—the Bird Woman, Adm. Boom, that ethnically problematic world tour, even Mr. and Mrs. Banks—but there’s still plenty going on. Mary Poppins introduces Jane and Michael (their twin younger sibs are mentioned but seem to be left at home throughout) to the Match-Man and the buoyant Mr. Wigg, lets them watch Mrs. Corry and her daughters climb tall ladders to spangle the night sky with gilt stars, and takes them to meet the zoo animals (“Bird and beast, star and stone—we are all one,” says the philosophical bear). At last, when the wind changes, she leaves them with an “Au revoir!” (“Which means, Dear Reader, ‘to meet again.’ ”) Slender and correct, though with dangling forelocks that echo and suggest the sweeping curls of wind that bring her in and carry her away, Mary Poppins takes the role of impresario in Godbout’s theatrically composed scenes, bearing an enigmatic smile throughout but sharing with Jane and Michael (and even the parrot-headed umbrella) an expression of wide-eyed, alert interest as she shepherds them from one marvelous encounter to the next. The Corrys have brown skin; the rest of the cast presents white.

Lovely and evocative, just the thing to spark an interest in the original and its sequels—and the upcoming film sequel, Mary Poppins Returns, which opens in December 2018. (Picture book. 6-8)

Pub Date: Oct. 23, 2018

ISBN: 978-1-328-91677-8

Page Count: 32

Publisher: HMH Books

Review Posted Online: Sept. 17, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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