For readers who like romances threaded with operatic sorrow.
A bond that starts with a tragic death transforms into love.
Grant Shepard and Helen Zhang have a history—when they were in high school, he was driving the SUV her younger sister darted in front of, ending her life. When, 13 years later, they meet at a Hollywood studio that’s adapting Helen’s YA novels for television, their unresolved grief means a minefield of painful interactions. Helen has been ignoring her complex feelings of anger, sadness, and guilt, while Grant has struggled with anxiety even as he’s continued to be the popular guy in every circle. Despite her prickly armor and his polite facade in the writers’ room where they’re both working, the extended intimacy of the project forces them past the chasm of their past and into a new chemistry in the present. But Helen’s parents would never accept a relationship between them—would they? In her debut romance novel, screenwriter and director Kuang starts with high stakes. Helen’s absent sister and her family’s trauma loom over the sunny California setting, amplified by the protagonists’ individual visits to their New Jersey hometown. Though leaning slightly into commonplace images of Chinese American parents, Kuang avoids cliches about second-generation immigrants in her depiction of Helen. The potential end of Grant and Helen’s fiery sexual liaison gives the book the feel of a ticking clock, with Kuang coloring all their interactions with a sadness that signals the third-act breakup often found in the novels of Emily Henry (which Kuang is adapting for the screen).
For readers who like romances threaded with operatic sorrow.Pub Date: April 9, 2024
ISBN: 9780063310681
Page Count: 384
Publisher: Avon/HarperCollins
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
Light on plot and heavy on bolstering traditional gender norms as the ultimate goal for both men and women.
A Seattle woman meets a Chicago businessman as she flies home from a visit to a friend, and her small act of kindness blossoms into more.
Maisy Gallagher is barely making ends meet. With her father’s unexpected death a few years earlier, she dropped out of nursing school to help out in the family’s jewelry store, working with her uncle. Her older brother, Sean, also moved back home so he and Maisy could help their mother and their 10-year-old brother, Patrick. When Maisy offers a ride to a rude businessman who sat next to her on the plane, she’s just operating on the kindness her grandmother instilled in her. That businessman, Chase Furst, turns out to be an incredibly wealthy banker; he’s flown into Seattle to make funeral arrangements for his mother, to whom he hasn’t spoken in years. Sparks fly in this gentle and predictable romance that leans heavily on long-distance and class-divide tropes. As with many of the author’s books, Christianity and the characters’ reliance on God’s will—as they wait and see what happens next—play a large part, as do traditional gender roles where women cook, clean, and only work in paying jobs until they have children at home to take care of. The author does offer a lighter touch when it comes to the painful ways alcoholism can destroy family relationships, with an understanding of the regret that can weigh on every family member.
Light on plot and heavy on bolstering traditional gender norms as the ultimate goal for both men and women.Pub Date: April 28, 2026
ISBN: 9798217091676
Page Count: 320
Publisher: Ballantine
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
A romance that could have used significant rethinking.
Childhood friends, almost-sweethearts, a misunderstanding, and a funeral.
Blair Lang and Declan Renshaw were best friends who went on one date before a disagreement and an accident sent them in different directions after high school. Now Blair is back from college to be with her great-aunt Lottie, who’s dying, and to support her single mother in small-town Seabrook, California. Finding a job at a coffee shop puts her in the path of her former boyfriend, since he turns out to be its owner. Can the two get past their mistakes? The novel uses the popular second-chance romance trope, but Pham fails to energize it through interesting characters. Blair’s grief over her great-aunt’s death and her plan to help her mother are overshadowed by internal monologues about her feelings, the way her friends aren’t paying attention to her, and the novel she plans to write. Declan’s distinguishing characteristic, besides being a former high school quarterback, is his skill at building birdhouses. Unsurprisingly, the couple doesn’t have much chemistry; when they embrace, their “bodies meld like…memory foam.” The wooden characters, unusual word choices (“conglomerate of pedestrians,” “litany of plants”), and odd turns of phrase (“tension melting from his eyebrows like butter melting in a warm pan”) are almost enough to obscure the lack of plot development. What passes for stakes is easily defused when Blair comes into an inheritance that saves her from working as a consultant at Ernst & Young in New York—so she can write a romance novel.
A romance that could have used significant rethinking.Pub Date: March 3, 2026
ISBN: 9781668095188
Page Count: 320
Publisher: Atria
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
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