Despite Corporon’s obvious love of Greece, her manipulative storytelling is exasperating.

WHEN THE CYPRESS WHISPERS

A stressed-out Greek-American restaurant owner visits her grandmother on a Greek island seemingly untouched by time (or Greece’s economic crisis) in this romantic tribute to her own roots by debut novelist Corporon, a producer of the syndicated TV show Extra.

Tragedy stalks 35-year-old single mother Daphne. Her immigrant parents were murdered in their Yonkers diner, and her husband died at the hands of a drunk driver. She now owns a flourishing high-end restaurant in Manhattan and is engaged to rich banker Stephen, who has reluctantly agreed to hold their wedding on the island of Erikousa, home of Daphne’s beloved Yia-yia, where she's spent countless happy summers. So Daphne arrives on Erikousa with her remarkably well-behaved 5-year-old daughter, Evie, to organize the occasion. Despite her life as an assimilated American, complete with nose job, Daphne soon falls back under the spell of the island’s slow-paced magic. Yia-yia retells the classic Greek myths—which pointedly parallel aspects of Daphne’s life—and reads the future in coffee dregs. Daphne finds herself relaxing and enjoys spending more time with Evie, but she's unsettled by her hostility toward the ruggedly handsome, well-educated fisherman who has befriended Yia-yia since Daphne’s last visit. That hostility melts when he shares the truth about his Jewish family’s connection to Yia-yia, who saved them from the Nazis during World War II. But by now, Stephen has arrived. Poor WASP-y Stephen. Yia-yia voices her disapproval even before she meets him, and readers’ suspicions that his engagement to Daphne is doomed are cemented when he complains that there’s no business center in the local hotel! Except for a mildly refreshing twist at the end, Corporon depends on easy sentiment and a predictable plot that has Daphne reconnecting with her Greek heritage, her faith and the special fate that rules the women of her family.

Despite Corporon’s obvious love of Greece, her manipulative storytelling is exasperating.

Pub Date: April 1, 2014

ISBN: 978-0-06-226758-0

Page Count: 368

Publisher: Harper/HarperCollins

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

Did you like this book?

No Comments Yet

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

Did you like this book?

Why you double-crossing little double crossers! Fiendishly clever.

PRETTY THINGS

The daughter of a grifter plans to fund her mother’s cancer treatment with a revenge con.

Rich people suck, don’t they? Nina Ross found this out in her adolescence, when her romance with Benny Liebling was broken up by his status-obsessed, old-money father, who found them screwing in the guest cottage of the family’s Lake Tahoe estate. Back then, Nina had a future—but she’s since followed her con-artist mother into the family business with the help of a handsome blue-eyed Irish confederate named Lachlan. “Here’s my rule,” Nina tells him. “Only people who have too much, and only people who deserve it.” Of course, he agrees. “We take only what we need.” With her art history background, Nina is usually able to target a few expensive antiques they can lift without the rich dopes even noticing they’re gone. But now that Nina's mother is hovering at death’s door without health insurance, she’s going after the $1 million in cash Benny mentioned was in his father’s safe all those years ago. So back to Lake Tahoe it is. The older Lieblings are dead, and Benny’s in the bin, so it’s his sister Vanessa Liebling who is the target of the complicated caper. Vanessa is a terribly annoying character—“I couldn’t tell you how I went from a few dozen Instagram followers to a half-million. One day, you’re uploading photos of your dog wearing sunglasses; and the next you’re begin flown to Coachella on a private jet with four other social media It Girls…”—but, in fact, you’ll hate everyone in this book. That is surely Brown’s (Watch Me Disappear, 2017, etc.) intention as she’s the one making them natter on this way. She also makes them vomit much more than is normal, whether it’s because they’re poisoning each other or because they’re just so horrified by each other’s behavior. Definitely stay to see how it all turns out.

Why you double-crossing little double crossers! Fiendishly clever.

Pub Date: April 21, 2020

ISBN: 978-0-525-47912-3

Page Count: 496

Publisher: Random House

Review Posted Online: Jan. 13, 2020

Kirkus Reviews Issue: Feb. 1, 2020

Did you like this book?

No Comments Yet
more