Charming, practical, and a good guide to using a brush to create simple illustrations.
Palka offers an accessible introduction to sumi-e, or Japanese ink painting, through simple illustrated techniques and appealing animals.
Friendly pandas and swallows greet readers prior to the table of contents. A succinct welcome and brush-stroke overview sets the stage before readers explore the sections, each differentiated by animal type and/or technique. A swirl or “gray blob” transforms into snails, mice, and rabbits; while curved strokes become birds. Like Ed Emberley, the artist offers clear, step-by-step instructions. With just four blobs, patches, and strokes, playful pandas appear; and in five “S” or press strokes, a swirling, atmospheric dragon materializes. Resources and background information bookend this appealing introduction, with how-to information on holding, loading, and caring for the brush. Adults and children alike may find the brief history, folklore, and poetry of sumi-e equally fascinating as they learn about the art form’s “Four Treasures”: the ink, inkstone, brush, and paper. An excellent guide regarding the practical aspect of sumi-e, it also begins to skim the surface on the spiritual, acknowledging the desire to “create paintings that are full of energy and life, and capture the essence of the subject,” as traditionally, Asian brush painters are taught that the energy they impart through the brush stroke is what breathes life or gives meaning to their subjects.
Charming, practical, and a good guide to using a brush to create simple illustrations. (Informational picture book. 7-12)Pub Date: Sept. 25, 2018
ISBN: 978-1-63217-204-4
Page Count: 40
Publisher: Little Bigfoot/Sasquatch
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
This genuinely clever math book uses rhyming couplets and riddles, as well as visual cues to help the reader find new ways to group numbers for quick counting. It’s a return to number sets, with none of those boring parentheses and <>signs. Here the rhyme gives a clue to the new ways of grouping numbers. For example: “Mama mia, pizza pie, / How many mushrooms do you spy? / Please don’t count them, it’s too slow, / This hot pie was made to go! / Let me give you some advice, / Just do half and count it twice.” A quick look at the pizza, and the reader can see each slice has the same number of mushrooms. Count by threes for half the pie, and double it. Each rhyme is given a double-page spread. The extra-large, brightly colored images leap off the page but never distract from the author’s intent. Some riddles are very challenging, but the author provides all the solutions in the back. Once the reader has seen the answers, the strategy is obvious and can be applied to other situations. Great fun for math enthusiasts and creative thinkers, this might also teach adults some new tricks. A winning addition. (Nonfiction. 7-10)
Pub Date: Feb. 1, 2001
ISBN: 0-439-21033-X
Page Count: 40
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2000
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote...
Two republished tales by a Greco-Cherokee author feature both folkloric and modern elements as well as new illustrations.
One of the two has never been offered south of the (Canadian) border. In “Coyote Sings to the Moon,” the doo-wop hymn sung nightly by Old Woman and all the animals except tone-deaf Coyote isn’t enough to keep Moon from hiding out at the bottom of the lake—until she is finally driven forth by Coyote’s awful wailing. She has been trying to return to the lake ever since, but that piercing howl keeps her in the sky. In “Coyote’s New Suit” he is schooled in trickery by Raven, who convinces him to steal the pelts of all the other animals while they’re bathing, sends the bare animals to take clothes from the humans’ clothesline, and then sets the stage for a ruckus by suggesting that Coyote could make space in his overcrowded closet by having a yard sale. No violence ensues, but from then to now humans and animals have not spoken to one another. In Eggenschwiler’s monochrome scenes Coyote and the rest stand on hind legs and (when stripped bare) sport human limbs. Old Woman might be Native American; the only other completely human figure is a pale-skinned girl.
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote tales. (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-55498-833-4
Page Count: 56
Publisher: Groundwood
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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