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BLACK FLOWERS, WHITE LIES

The stereotypical depiction of sociopathy, that hoary trope, leaves a bad taste.

Fifteen-year-old Ariella Benton, nicknamed Ella, finds herself in Hoboken, New Jersey, at the mercy of her own ideas regarding her long-dead father, her mom’s new husband, her love for cats, a new love interest, a belief in the supernatural, and the stigma of mental illness.

All of these story elements become a psychological-thriller Mobius strip with the appearance and then encroaching insinuation of the “tall and blond” “Beautiful Boy” she meets at the mall—and who turns out to be her future stepbrother, Blake. If the incestuous undertones don’t creep readers out, Crystal Kite winner Ventresca (Pandemic, 2014) ploddingly layers on Blake’s manipulations, from his constant gaslighting of Ella—with the participation of Ella’s best friend and the aforementioned love interest)—to bloody and muddy fingerprints on mirrors and walls and other, far nastier, deeds. Does sociopathic Blake get away with his dastardliness toward his white (by inference) family? The author tries to build the suspense and empathy, but it falls flat due to the grating characterization of Ella herself—as well as the unkind characterization of sociopathy. The lesson is that, at best, Blake, with his mental illness, cannot be incorporated into family life but needs to disappear, optimally of his own accord.

The stereotypical depiction of sociopathy, that hoary trope, leaves a bad taste. (further reading) (Thriller. 14-18)

Pub Date: Oct. 4, 2016

ISBN: 978-1-5107-0988-1

Page Count: 272

Publisher: Sky Pony Press

Review Posted Online: Aug. 29, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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GO AWAY, SHELLEY BOO!

Emily Louise is certain that the new girl moving in next door will be simply awful. Working herself into a frenzy (in long passages of text that take the conceit just about as far as it can go), she imagines a terror of a child named Shelley Boo who is a swing swiper, eats nothing but peanut butter, has “drillions and drillions” of baseball cards, and steals Emily’s best friend, Henry. Stone’s exuberant color drawings, filled with whimsical animals and reminiscent of folk art, are less effective here than in What Night Do Angels Wander? (1998). Children will still identify with Emily’s anxiety about a new neighbor and share her relief when she finally does meet the infamous “Shelley Boo,” who is really named Elizabeth. (Picture book. 4-8)

Pub Date: Sept. 1, 1999

ISBN: 0-316-81677-9

Page Count: 32

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1999

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GROWING WINGS

While 11 is a time in a girl’s life when her body is undergoing changes, Linnet’s physical changes are highly unusual—she is growing wings. To her amazement, this bizarre fact doesn’t surprise her mother Sarah, who it turns out also had wings at Linnet’s age. But Linnet’s grandmother had cut off Sarah’s wings, not being able to imagine her navigating her way though life with them. After the school term ends, Linnet insists on going to look for, as she puts it, “anyone else like me.” After several days of travel and after being abandoned by her mother, Linnet ends up at her grandmother’s, who takes Linnet to an isolated house way up in the mountains, a secret place where other winged people live. Safe in the community of others like herself, Linnet and one of the others, Andy, try to teach themselves to fly but for various aeronautical reasons, they are both unable to. Linnet and Andy finally realize that they are unwilling to hide for the rest of their lives, even if it means being called freaks by intolerant people. The two kids decide to take their chances in the outside world with non-winged people. Oddly, there is not much explanation and surprisingly little discussion in the book about how and why these particular people grew wings and what the significance is. While a few theories are bandied about, none are really explored. The plot and characterizations are not skillfully crafted enough to allow a suspension of disbelief, and the book veers towards pomposity, seemingly raising weighty, philosophical themes, but never really taking flight. (Fiction. 10-14)

Pub Date: Oct. 1, 2000

ISBN: 0-618-07405-8

Page Count: 224

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2000

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